The Hand of Fu-Manchu: Being a New Phase in the Activities of Fu-Manchu, the Devil Doctor — John Shaqi
The Hand of Fu-Manchu: Being a New Phase in the Activities of Fu-Manchu, the Devil DoctorRohmer, Sax
General
The Hand of Fu-Manchu: Being a New Phase in the Activities of Fu-Manchu, the Devil Doctor
Rohmer, Sax
Detective and mystery stories; Fu Manchu, Doctor (Fictitious character) -- Fiction
Once, looking down in the direction of the bridge, I gave a great
start, for a black patch of shadow moved swiftly across the path and
merged into the other shadows bordering a high wall. My heart leapt
momentarily, then, in another instant, the explanation of the mystery
became apparent--in the presence of a gaunt and prowling cat. Bestowing
a suspicious glance upward in my direction, the animal slunk away toward
the path bordering the cutting.
By a devious route amid ghostly gasometers I had crept to my post in
the early dusk, before the moon was risen, and already I was heartily
weary of my passive part in the affair of the night. I had never before
appreciated the multitudinous sounds, all of them weird and many of
them horrible, which are within the compass of those great black rats
who find their way to England with cargoes from Russia and elsewhere.
From the rafters above my head, from the wall recesses about me, from
the floor beneath my feet, proceeded a continuous and nerve-shattering
concert, an unholy symphony which seemingly accompanied the eternal
dance of the rats.
Sometimes a faint splash from below would tell of one of the revelers
taking the water, but save for the more distant throbbing of riverside
industry, and rarer note of shipping, the mad discords of this rat
saturnalia alone claimed the ear.
The hour was nigh now, when matters should begin to develop. I
followed the chimes from the clock of some church nearby--I have never
learnt its name; and was conscious of a thrill of excitement when
they warned me that the hour was actually arrived....
A strange figure appeared noiselessly, from I knew not where, and
stood fully within view upon the bridge crossing the cutting, peering
to right and left, in an attitude of listening. It was the figure of
a bedraggled old woman, gray-haired, and carrying a large bundle tied
up in what appeared to be a red shawl. Of her face I could see little,
since it was shaded by the brim of her black bonnet, but she rested
her bundle upon the low wall of the bridge, and to my intense
surprise, sat down upon it!
She evidently intended to remain there.
I drew back further into the darkness; for the presence of this
singular old woman at such a place, and at that hour, could not well
be accidental. I was convinced that the first actor in the drama had
already taken the stage. Whether I was mistaken or not must shortly
appear.
Crisp footsteps sounded upon the roadway; distantly, and from my
left. Nearer they approached and nearer. I saw the old woman, in the
shadow of the wall, glance once rapidly in the direction of the
approaching pedestrian. For some occult reason, the chorus of the
rats was stilled. Only that firm and regular tread broke the intimate
silence of the dreary spot.
Now the pedestrian came within my range of sight. It was Nayland Smith!
Public-domain text, read in full here on John Shaqi.
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