The Hand of Fu-Manchu: Being a New Phase in the Activities of Fu-Manchu, the Devil DoctorRohmer, Sax
General
The Hand of Fu-Manchu: Being a New Phase in the Activities of Fu-Manchu, the Devil Doctor
Rohmer, Sax
Detective and mystery stories; Fu Manchu, Doctor (Fictitious character) -- Fiction
He wore a long tweed overcoat with which I was familiar, and a soft
felt hat, the brim pulled down all around in a fashion characteristic
of him, and probably acquired during the years spent beneath the
merciless sun of Burma. He carried a heavy walking-cane which I knew
to be a formidable weapon that he could wield to good effect. But,
despite the stillness about me, a stillness which had reigned
uninterruptedly (save for the _danse macabre_ of the rats) since the
coming of dusk, some voice within, ignoring these physical evidences
of solitude, spoke urgently of lurking assassins; of murderous
Easterns armed with those curved knives which sometimes flashed
before my eyes in dreams; of a deathly menace which hid in the
shadows about me, in the many shadows cloaking the holes and corners
of the ramshackle building, draping arches, crannies and portals to
which the moonlight could not penetrate.
He was abreast of the Joy-Shop now, and in sight of the ominous old
witch huddled upon the bridge. He pulled up suddenly and stood
looking at her. Coincident with his doing so, she began to moan and
sway her body to right and left as if in pain; then--
"Kind gentleman," she whined in a sing-song voice, "thank God you came
this way to help a poor old woman."
"What is the matter?" said Smith tersely, approaching her.
I clenched my fists. I could have cried out; I was indeed hard put to
it to refrain from crying out--from warning him. But his injunctions
had been explicit, and I restrained myself by a great effort,
preserving silence and crouching there at the window, but with every
muscle tensed and a desire for action strong upon me.
"I tripped up on a rough stone, sir," whined the old creature, "and
here I've been sitting waiting for a policeman or someone to help me,
for more than an hour, I have."
Smith stood looking down at her, his arms behind him, and in one
gloved hand swinging the cane.
"Where do you live, then?" he asked.
"Not a hundred steps from here, kind gentleman," she replied in the
monotonous voice; "but I can't move my left foot. It's only just
through the gates yonder."
"What!" snapped Smith, "on the wharf?"
"They let me have a room in the old building until it's let," she
explained. "Be helping a poor old woman, and God bless you."
"Come along, then!"
Stooping, Smith placed his arm around her shoulders, and assisted her
to her feet. She groaned as if in great pain, but gripped her red
bundle, and leaning heavily upon the supporting arm, hobbled off
across the bridge in the direction of the wharf gates at the end of
the lane.
Now at last a little action became possible, and having seen my friend
push open one of the gates and assist the old woman to enter, I crept
rapidly across the crazy floor, found the doorway, and, with little
noise, for I wore rubber-soled shoes, stole down the stairs into what
had formerly been the reception-room of the Joy-Shop, the malodorous
sanctum of the old Chinaman, John Ki.
Public-domain text, read in full here on John Shaqi.
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