The Hand Phrenologically Considered: Being a Glimpse at the Relation of the Mind with the Organisation of the Body — John Shaqi
The Hand Phrenologically Considered: Being a Glimpse at the Relation of the Mind with the Organisation of the BodyAnonymous
Philosophy
The Hand Phrenologically Considered: Being a Glimpse at the Relation of the Mind with the Organisation of the Body
Anonymous
Hand; Phrenology
Prominent joints evince great development of the bony and muscular
structures of the hand; they indicate a motive and prehensive organ.
Persons with such fingers, according to D’Arpentigny, are remarkable
for their love of order and arrangement, for a mind prone to analysis
and reasoning, and for actions regulated by the calm dictates of
judgment, and not impelled by the sudden inspiration of enthusiasm.
Smooth, even fingers, on the contrary, with a regular outline and
articulations but slightly prominent, denote that the nervous system
is more developed than the bony and muscular, and that the member is
endowed with fine sensibility. Such an individual will be more or less
swayed by imagination, will act rather from the impulse of the moment
than from reason and experience, will be rather disposed to view things
as a whole than to consider in detail their several parts,—in fact,
will be furnished with a mind with more of imagination and synthetical
talent than of reason or logical ability. The joints become more
distinctly marked as age advances. In fine, says D’Arpentigny, “Man
becomes the more orderly, the less credulous, and the more logical, in
proportion as the articular prominences become more strongly defined.”
The last phalanx, or terminal piece of the fingers, may terminate in
either of three ways. It may be rounded, cushiony, somewhat enlarged
as it were; it may be square and flattened; or it may be delicate,
tapering, and conical. The enlarged, rounded, cushiony-terminated
phalanx, characterises “the doigts en spatule” of D’Arpentigny, or, as
we shall term them, “sensitive fingers.” It indicates a great number
of the delicate papillæ of touch, and serves to denote a sensitive
hand. The square terminal phalanx mostly accompanies the motive and
elementary form of hand; and the tapering, conical extremity, the
psychical. It is a remarkable fact, that among all nations the figures
of saints, angels, and divinities, should have been invariably figured
with delicate, tapering fingers. The hands of witches, demons, and
sorcerers, have likewise been delineated with elongated fingers; but
they are rough, thin, and bony, and armed with long nails or claws,
like the toes of the lower animals.
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