At the first, either a single Feather was borne, the quill generally transfixing an escroll, as in No. 394, from the monument of Prince ARTHUR TUDOR, in Worcester Cathedral; or, two Feathers were placed side by side, as they also appear upon the same monument. In Seals, or when marshalled with a Shield of Arms, two Feathers are seen to have been placed after the manner of Supporters, one on each side of the composition: in such examples the tips of the Feathers droop severally to the dexter and sinister: in all the early examples also the Feathers droop in the same manner, or they incline slightly towards the spectator. Three Feathers were first grouped together by ARTHUR TUDOR, PRINCE OF WALES, eldest son of HENRY VII., as in Nos. 395 and 396, from Peterborough Cathedral; or with an escroll, as in No. 397, from a miserere in the fine and interesting church at Ludlow. The plume of three Feathers appears to have been encircled with a coronet, for the first time, by Prince EDWARD, afterwards EDWARD VI., but who never was PRINCE OF WALES: No. 398, carved very boldly over the entrance gateway to the Deanery at Peterborough, is a good early example. In No. 399 I give a representation of another early plume of three Ostrich Feathers, as they are carved, with an escroll in place of a coronet, upon the Chantry of Abbot RAMRYGE in the Abbey Church at St. Albans: and again, in No. 400, from the head of a window near the east end of the choir, on the south side, in Exeter Cathedral, the three Feathers are charged upon a Shield _per pale azure and gules_, and this Shield is on a roundle. [Illustration: No. 397.--In Ludlow Church.] [Illustration: No. 398.--The Deanery, Peterborough.] [Illustration: No. 399.--In the Abbey Church of St. Alban.] [Illustration: No. 400.--In Exeter Cathedral.]