But Heraldry, from the time of its first appearance in England, was found to be valuable for other uses besides those which so intimately connected it with both real and imitative warfare, with the fierce life-and-death conflict of the battle-field, and with the scarcely less perilous struggle for honour and renown in the lists. Very soon after the Norman Conquest, in consequence of their presence being required to give validity to every species of legal document, SEALS became instruments of the greatest importance; and it was soon obvious that heraldic insignia, with a representation of the knightly shield upon which they were displayed, were exactly suited to satisfy every requirement of the seal-engraver. By such means Heraldry became interwoven as well with the peaceful concerns of everyday life, as with the display of martial splendour and the turmoil of war. Many attempts have been made to set aside the opinion that the Heraldry of the Middle Ages in England was a fresh creation, a production of indigenous growth: and great is the ingenuity that has been brought into action to carry back the Heraldry of our own country from the commencement of the thirteenth century through the previous elementary stages of its existence, in order to trace its direct lineal descent from certain decorative and symbolical devices that were in use at much earlier periods. The careful and diligent researches, however, of the most learned Heralds have at present led them almost unanimously to reject all such theories as these, as speculative and uncertain. At the same time, it is an indisputable fact that, in all ages of the world, and amongst all races of men, some form of symbolical expression has been both in use and in favour. And it is equally true that this symbolism, whatever it may have been, has generally been found in some way associated with a military life and with the act of warfare. Soldiers, and particularly those in high command, have always delighted to adorn their shields with devices that sometimes were significant of their own condition or exploits, or sometimes had reference to their country, or even to their families; and, in like manner, it has been a universal custom to display similar devices and figures in military standards of all kinds. At the time of the Conquest, as is shown in the famous Bayeux Tapestry of the Conqueror’s Consort, the shields and standards of both Normans and Anglo-Saxons were painted, and perhaps the latter were embroidered, with various figures and devices; but certainly without any heraldic significance or any personal associations being indicated by these figures and devices, which bear a general resemblance to the insignia of the Legions and Cohorts of Imperial Rome. Figures Nos. 5 and 6 give representations of the standards that are introduced into the Bayeux Tapestry. The same species of decoration, consisting chiefly of painted patterns, with discs, stars, crescents, and some