In our present revival of English Heraldry, it is essential that we impress upon our minds a correct conception of the twofold character of all Heraldry--that it is a _Science_, and also that it is an _Art_. We have to vindicate the reputation of our Heraldry, as well in the one capacity as in the other. Of very noble heraldic Art we happily possess original examples in great numbers, which have been bequeathed to us, as a precious inheritance, from “the brave days of old.” The style of Art that we see exemplified in these early authorities we may accept almost unreservedly as our own style; and we must aspire to sympathise heartily with their genuine heraldic feeling. In our representation, also, of almost all inanimate and natural objects in our own armorial compositions, as a general rule, we may trust confidently to the same good guidance. The early method of representation, indeed, must form the basis of our system of treatment; and, we may faithfully adhere to this rule, and yet occasionally we may find it to be desirable that the form and the accessories of some devices should be adapted to modern associations. In truth, it is not by merely copying the works of even the greatest of the early heraldic artists, that we are to become masters in heraldic Art. When the copies are good, copying is always valuable, as a branch of study; but, if it be our highest and only aim to reproduce the expressions of other men’s thoughts, then copying is worse than worthless. What we have to do is to express our heraldic Art in the spirit of the early Heralds, to keep it in harmony with what, in the best of the early days, they would have accepted as the highest heraldic Art, and at the same time to show that our heraldic Art in very truth is our own. [Illustration: No. 24.--Prince JOHN OF ELTHAM, A.D. 1336.] [Illustration: Nos. 25, 26.--Badge of RICHARD II., Westminster Hall.]