The treatment of animate creatures in Heraldry requires a certain kind,
and also a certain degree, of conventionalism. Here, as before, in the
early Heralds we have excellent masters; but, here we must follow their
teaching with more of reserve, and with cautious steps. We recognise the
happy consistency of the conventionalism which they displayed in their
representation of animate creatures, without any purpose to adopt it in
the same degree with them. Had the early Heralds been more familiar with
the living presence of the various creatures that they summoned to enter
into their service, without a doubt they would have represented them
with a much closer conformity to Nature. We must apply our better
knowledge, as we may feel confident the early Heralds would have applied
a similar knowledge had they been able to have acquired it. Heraldic
animals of every kind--lions, eagles, dolphins, and all others--must be
so far subjected to a conventional treatment, that they will not exhibit
a _strictly_ natural appearance: and, on the other hand, being carefully
preserved from all exaggerated conventionalisms, they must approach as
near to Nature as a definite conventional rendering of natural truth
will admit. The lions of the early Heralds, spirited beasts always,
generally show a decided disposition to exhibit their heraldic
sympathies in excess. They have in them rather too much that is heraldic
conventionalism, and not quite enough that is natural lion. And, with
the first symptoms of decline in heraldic Art, the treatment of lions
showed signs of a tendency to carry conventionalism to the utmost
extravagance. The same remarks are applicable to eagles. It must be
added, however, that truly admirable examples of heraldic animals
occasionally may be found as late even as the commencement of the
sixteenth century, as in the chantry of Abbot Ramryge, in the Abbey
Church at St. Alban’s, and in King’s College Chapel at Cambridge. It
must be our care to blend together the true attributes of the living
lion and eagle, and those also of other living creatures, with the
traditional peculiarities of their heraldic representatives. And we must
extend the corresponding application of the same principles of treatment
to imaginary beings and heraldic monsters, as they occur in our
Heraldry. The shield, No. 24, of Prince JOHN OF ELTHAM, younger brother
of EDWARD III., finely sculptured with his effigy in alabaster, in
Westminster Abbey (A.D. 1336), and in perfect preservation, gives us
characteristic examples of lions of the best heraldic era, their frames,
attenuated as they are, being perfect types of fierce elasticity. With
this shield may be grouped others, having admirably suggestive examples
of heraldic lions of a somewhat later date, which are preserved upon the
monuments of EDWARD III. and the BLACK PRINCE, severally at Westminster
and Canterbury. I shall refer to these fine shields again, and to other
Public-domain text, read in full here on John Shaqi.
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