But the superfluous are not always unfortunate; we who knew Aurelius
would never call him unfortunate. There are some--and more than ever in
these days when even the strongest do not condemn outright, and when
deaths less unpleasant to the executioner have been discovered--some
who escape the necessity to toil and spin for others, and do not spend
their ease in manacles. Many of the women among the hunted are not
slaughtered as soon as caught. They are kept in artfully constructed
and choicely decorated cages where their captors try to force them
to sing over and over again the notes which were their allurement
at first; a few survive to wear white locks and trouble with a new
note the serenity of the palaces where their cages are suspended. The
superfluous have been known to learn the ways of their superiors, to
make little camps unmolested in the midst of the foreign land, to enjoy
a life admired of many and sometimes envied, but insincerely.
Some of the captives enslave their masters. Aurelius was one. From my
earliest days Aurelius and rumours of him were much about me. Once he
earned his bread in a great country house by looking after the books
and writing letters. They lodged, fed, and clothed him, and gave him a
small wage--he came from no one knew where, except that it must have
been a gutter or a ditch, as he said, “between the moon and Mercury.”
But he would tell children that he was begotten out of the moonlight
by an owl’s hooting, or that he was born in a tent in the New Forest,
where there were more leaves than money. It was a sort of grievance
against him that he could always buy what he wanted, as a book for
himself or a toy for a child.
He can have been of little use as a letter-writer, as I see now. His
writing looked as unfamiliar as Persian, and must have been laborious.
It was suited to the copying of incantations, horoscopes, receipts
for confectionery. It must often have startled the reader like a line
of trees or flight of birds writing their black legend on the dawn
silver. There was nothing in the meaning of his sentences, I think,
to correspond with the looks of them. A few of his letters survive,
and some notes on accessions to the library, etc.; but it is clear
that they were written in a language foreign to the man, a loose
journalistic English of the moment, neither classic nor colloquial, and
they have no significance.
Public-domain text, read in full here on John Shaqi.
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