I see him, as soon as I have sat down by the window, swing round in his
chair and look grim as he lights his tobacco with difficulty--then
smile and let the smoke pour out of his mouth before beginning to
talk, which means that in a few minutes he has laid down the pipe
unconsciously, and that it will remain untouched. The children come
in; he opens the French windows, and goes down the steps to the apple
tree, carrying half the children, followed by the other half. Up he
climbs, awkwardly in his black clothes, and getting that grim look
under the strain, but smiling at last. He picks all of the seven apples
and descends with them. The children are perfectly silent. “This one,”
he begins, “is for Annie because she is so small. And this for Jack
because he is a good boy. And this for Claude because he is bad and we
are all sorry for him. And this for Dorothy because she is so big.” He
gives me one, and Dorothy another to take down to her mother, and the
last he stows away.
Mr Torrance was often fanciful, and as most people said, affected,
in speech. He was full of what appeared to be slight fancies that
made others blush uncomfortably. He had rash admirations for more
conspicuously fanciful persons, who wore extraordinary clothes or
ate or drank in some extraordinary manner. He never said an unkind
thing. By what aid, in addition to the various brown breads to which he
condemned himself, did he live, and move, and have his being with such
gladness?
His books are not the man. They are known only to students at the
British Museum who get them out once and no more, for they discover
hasty compilations, ill-arranged, inaccurate, and incomplete, and
swollen to a ridiculous size for the sake of gain. They contain not one
mention of the house under the hill where he was born.
CHAPTER X
THE HOUSE UNDER THE HILL
Though he did not write of it, Mr Torrance would gladly talk of the
house under the hill where he was born, of the surrounding country
and its people. “I can only hope,” he would say, “I can only hope
that when I am old, ‘in this our pinching cave,’ I shall remember
chiefly the valley of the river Uther where I was born, and the small
old house half encircled and half-shadowed by an enormous crescent of
beech-covered hills. That is my world in spite of everything. Those
fifteen or twenty square miles make the one real thing that I know and
cannot forget, in spite of a hundred English scenes wantonly visited
and forgotten, in spite of London unforgotten and unintelligible.
Public-domain text, read in full here on John Shaqi.
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