The Happy Hypocrite: A Fairy Tale for Tired MenBeerbohm, Max, Sir
Science
The Happy Hypocrite: A Fairy Tale for Tired Men
Beerbohm, Max, Sir
England -- Social life and customs -- 19th century -- Fiction; Fantasy fiction; Love stories; Masks -- Fiction
At Garble's, that nightly resort of titled rips and roysterers, he
usually spent the early hours of his evenings. Round the illuminated
garden, with La Gambogi, the dancer, on his arm, and a Bacchic retinue
at his heels, he would amble leisurely, clad in Georgian costume, which
was not then, of course, fancy dress, as it is now.[3] Now and again,
in the midst of his noisy talk, he would crack a joke of the period, or
break into a sentimental ballad, dance a little, or pick a quarrel. When
he tired of such fooling, he would proceed to his box in the tiny _al
fresco_ theatre and patronize the jugglers, pugilists, play-actors and
whatever eccentric persons happened to be performing there.
[Footnote 3: It would seem, however, that, on special occasions, his
Lordship indulged in odd costumes. "I have seen him," says Captain
Tarleton (vol. i, p. 69), "attired as a French clown, as a sailor, or in
the crimson hose of a Sicilian grandee--_peu beau spectacle_. He never
disguised his face, whatever his costume, however."]
* * * * *
The stars were splendid and the moon as beautiful as a great camelia,
one night in May, as his Lordship laid his arms upon the cushioned ledge
of his box and watched the antics of the Merry Dwarf, a little,
curly-headed creature, whose _début_ it was. Certainly Garble had found
a novelty. Lord George led the applause, and the Dwarf finished his
frisking with a pretty song about lovers. Nor was this all. Feats of
archery were to follow. In a moment the Dwarf reappeared with a small,
gilded bow in his hand and a quiverful of arrows slung at his shoulder.
Hither and thither he shot these vibrant arrows, very precisely, several
into the bark of the acacias that grew about the overt stage, several
into the fluted columns of the boxes, two or three to the stars. The
audience was delighted. "_Bravo! Bravo Sagittaro!_" murmured Lord
George, in the language of La Gambogi, who was at his side. Finally, the
waxen figure of a man was carried on by an assistant and propped against
the trunk of a tree. A scarf was tied across the eyes of the Merry
Dwarf, who stood in a remote corner of the stage. _Bravo_ indeed! For
the shaft had pierced the waxen figure through the heart, or just where
the heart would have been if the figure had been human and not waxen.
Lord George called for port and champagne and beckoned the bowing
homuncule to his box, that he might compliment him on his skill and
pledge him in a bumper of the grape.
"On my soul, you have a genius for the bow," his Lordship cried with
florid condescension. "Come and sit by me; but first let me present you
to my divine companion the Signora Gambogi--Virgo and Sagittarius, egad!
You may have met on the Zodiac."
"Indeed, I met the Signora many years ago," the Dwarf replied, with a
low bow. "But not on the Zodiac, and the Signora perhaps forgets me."
Public-domain text, read in full here on John Shaqi.
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