The Harim and the Purdah: Studies of Oriental WomenCooper, Elizabeth
Religion
The Harim and the Purdah: Studies of Oriental Women
Cooper, Elizabeth
East Asia -- Social life and customs; Women -- East Asia
From the lower lip to the neck, and lost in the covering of the dress,
are three dark blue lines of tattooing. This is seen now only on the
older women, and is being thrown on the altar of modernity by the
daughters of the Bedouins who have peeped into the world and are trying
to be like their more sophisticated Egyptian neighbours. The hair is
straight and black, and with many has been given a tinge of red by
washing it in henna. I saw no grey-haired women; because those who have
been touched by the finger of time, kindly custom has allowed to dye
their locks, and there were many flaming heads above wrinkled faces.
While a guest with the Bedouins, they were quite determined to give me
the touch of red that to them is so beautiful. They say it keeps the
hair cool and prevents it from falling out, protecting it from the
burning sun. I resisted, although I watched the process, which was most
interesting. The henna powder is mixed with water until the consistency
of a paste, and then the head is covered and left for the night, when in
the morning it is washed, and if not applied too thickly there is just a
glint in the dark locks. Henna is also applied to the nails of the
fingers and toes, and with many it practically covers the fingers to the
first joint, making the hands look most uncleanly to European eyes. The
inside of the feet and the palms are not forgotten by the Bedouin or the
Egyptian woman who has conserved the customs of her mother, but the
henna-dyed hands are rarely seen now by the newer generation, who have
relegated the henna-pot to the lumber-room along with the tattooing-ink.
A great mass of jewellery was worn, not the diamonds and rubies found in
the French shops of Cairo, but the true ornaments of a barbaric people.
Great hoops of gold were in the ears, one from the top of the ear,
another hanging from the lobe. The neck, even to the waistline, was
covered with chains formed of balls of gold or of coins, and on the arms
were bracelets. In writing coldly of the Bedouin woman, her tattooing,
her henna-coloured hair, her kohl-blackened eyes, and her massive chains
of gold and anklets of silver, it seems as if she were living in an age
of barbarism, yet it is becoming to her rich colouring, and she is not
overdressed. They all belong to the time and place, and are made for
these women, who need strong settings for their savage beauty.
Public-domain text, read in full here on John Shaqi.
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