The Harim and the Purdah: Studies of Oriental WomenCooper, Elizabeth
Religion
The Harim and the Purdah: Studies of Oriental Women
Cooper, Elizabeth
East Asia -- Social life and customs; Women -- East Asia
The man of Burmah also dresses in gaily coloured silks. He wears a long
silk cloth around his body, tucks it in with a twist in front, and the
remaining portion he allows to hang in folds or throws jauntily over his
shoulder. He wears a short white cotton jacket, over which another one
of darker cloth is worn for street wear. The old and wealthy when they
are paying visits of ceremony or going to worship at the pagoda wear
long white coats, closed only at the neck and reaching to the knee. Men
of all classes wear flowered silk handkerchiefs around their heads as
turbans, but when age comes these are exchanged for simple ones of white
muslin.
[Illustration:
BURMESE GIRL.
To face p. 180.]
The women of Burmah have unlimited freedom as compared with the women of
other Eastern countries. Unlike the women of India, China, or Egypt,
they may choose their own husbands and have a courtship such as we of
the Western world so thoroughly understand. From the time of the first
great event in a young girl’s life, the boring of her ears, which
announces to her world that she is no longer a child but a woman, until
her betrothal, the Burmese girl looks forward to the finding of a
husband as the one aim of her life. Until her ears are bored she is a
child and may run and play with her brothers upon the village street,
but finally the day arrives when her friends and relatives bring with
them the ear-borer and the soothsayer, and the frightened girl must pay
the price of gaining maidenhood. Her cries are drowned by the music and
the talk and laughter that seem so heartless; but the pain is soon over,
and she herself will make the hole larger by every means in her power,
because until the hole is large enough to receive the great round tube,
nearly half an inch in diameter, she does not feel that she is indeed a
woman. It is her initiation into womanhood, it corresponds to the
entrance into the monastery or the tattooing of his legs of her brother,
the sign that he is no longer a boy, but may sit with men and chew
betel-nut and discuss affairs of the world with wondrous wisdom.
After the ear-boring ceremony each man our maiden sees may be a possible
husband, and she copies the coquettish sway of the hips that is so
effective in her older sister as she walks down the street with mother,
aunt, or married friend, who carefully guards her from all improprieties
now that she has arrived at marriageable age.
Public-domain text, read in full here on John Shaqi.
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