Probable ceremonial burning, burial beneath a mound, and a scarcity of domestic artifacts and refuse suggest that House No. 4 was not an ordinary residence, but a small temple, chapel, or similar structure used for ceremonial purposes. Description of the Artifacts A total of 610 artifacts was recovered from the Harroun Site, consisting of ceramics, chipped stone implements, and a few milling stones and pitted stones. The first step in ordering the artifacts was to lump them all together in one heap. Then they were separated into general groups such as pottery, dart points, arrow points, scrapers, pitted stones, etc. Next, each group was further divided and subdivided into as many categories as seemed warranted until a number of small groups resulted, each containing a series of individual specimens with similar basic characteristics.[1] Finally, each of the small groups was compared to similar material from other sites and identified with specific types wherever possible. The artifacts are described below by groups. Provenience of the groups and types within the site is discussed in the succeeding section. CERAMICS In addition to the two vessels from the burial at Mound A, ceramic specimens comprise a total of 562 sherds. The paste of these sherds is characteristically sherd tempered, occasionally with the addition of small quantities of sand and/or bone particles. There is no shell tempering. Study of the sherds indicates that bottles, jars with outcurved rims, carinated bowls, and possibly other forms are represented. Exterior surface treatment includes brushing, smoothing, polishing, and red filming; smoothing and red filming also occur as interior surface treatments. Techniques used in applying decorations are incising, engraving, appliquéing, and punctating. The small quantity of sherds did not permit reconstruction of any vessels nor of any complete design elements: consequently correlations between techniques of decorating, design elements, vessel shapes and surface treatment were impossible as a rule, and a comprehensive typological analysis of the ceramics could not be made. The ceramics were separated on the basis of decorative technique into six groups: brushed, incised, appliquéd, punctated, engraved, and plain. Each group is described separately below. _Brushed Pottery_ Of the 141 brushed sherds, 13 are rimsherds and 128 are from body areas. The brushing is always on the exterior surface, the interior surfaces being poorly to fairly well smoothed. Wall thickness ranges from 5 to 9 mm. Lips are rounded and slightly everted.