The Head of the House of CoombeBurnett, Frances Hodgson
General
The Head of the House of Coombe
Burnett, Frances Hodgson
England -- Social life and customs -- Fiction
“I have no moral or ethical views to offer,” he had said. “I only
_see_. The thing—as it is—will disintegrate. I am so at sea as to what
will take its place that I feel as if the prospect were rather
horrible. One has had the old landmarks and been impressed by the old
pomp and picturesqueness so many centuries, that one cannot see the
earth without them. There have been kings even in the Cannibal
Islands.”
As a statesman or a diplomat he would have seen far but he had been too
much occupied with Life as an entertainment, too self-indulgent for
work of any order. He freely admitted to himself that he was a
worthless person but the fact did not disturb him. Having been born
with a certain order of brain it observed and worked in spite of him,
thereby adding flavour and interest to existence. But that was all.
It cannot be said that as the years passed he quite enjoyed the fact
that he knew he was rarely spoken of to a stranger without its being
mentioned that he was the most perfectly dressed man in London. He
rather detested the idea though he was aware that the truth was
unimpeachable. The perfection of his accompaniments had arisen in his
youth from a secret feeling for fitness and harmony. Texture and colour
gave him almost abnormal pleasure. His expression of this as a
masculine creature had its limits which resulted in a concentration on
perfection. Even at five-and-twenty however he had never been called a
dandy and even at five-and-forty no one had as yet hinted at Beau
Brummel though by that time men as well as women frequently described
to each other the cut and colour of the garments he wore, and tailors
besought him to honour them with crumbs of his patronage in the
ambitious hope that they might mention him as a client. And the simple
fact that he appeared in a certain colour or cut set it at once on its
way to become a fashion to be seized upon, worn and exaggerated until
it was dropped suddenly by its originator and lost in the oblivion of
cheap imitations and cheap tailor shops. The first exaggeration of the
harmony he had created and the original was seen no more.
Feather herself had a marvellous trick in the collecting of her
garments. It was a trick which at times barely escaped assuming the
proportions of absolute creation. Her passion for self-adornment
expressed itself in ingenious combination and quite startling
uniqueness of line now and then. Her slim fairness and ash-gold
gossamer hair carried airily strange tilts and curves of little or
large hats or daring tints other women could not sustain but invariably
strove to imitate however disastrous the results. Beneath soft drooping
or oddly flopping brims hopelessly unbecoming to most faces hers looked
out quaintly lovely as a pictured child’s wearing its grandmother’s
bonnet. Everything draped itself about or clung to her in entrancing
folds which however whimsical were never grotesque.
Public-domain text, read in full here on John Shaqi.
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