The Heart Line: A Drama of San FranciscoBurgess, Gelett
General
The Heart Line: A Drama of San Francisco
Burgess, Gelett
Bohemianism -- Fiction; Fortune-tellers -- Fiction; San Francisco (Calif.) -- Fiction
In the rear room an unclean length of burlap was stretched across a
string, half concealing a disordered, ramshackle cot, whose coverings
were ragged, soiled and moth-eaten. A broken chair or two leaned
crazily against the wall. The dusty windows looked point-blank upon the
damp wall of an abutting wooden house. There had once been paper upon
the walls; it was now torn, scratched and rubbed by grimy shoulders into
a harlequin pattern of dun and greasy tones.
The front room, through the open rolling doors, was, if possible, in a
still worse state of decay, and here wooden and paper boxes, tin cans,
sacks of rags (doing service for cushions), a three-legged table and a
smoked, rusty oil-stove, with its complement of unclean pots and dishes,
showed the place, abominable as was its aspect, to be a human abode. A
print or two, torn from some newspaper or magazine, was pinned to the
wall in protest against the sordidness of the interior. The place gave
forth a fetid and moldy smell. The air was damp, though the sun
struggled in through cracked panes, half lighting the apartment.
There was, however, one piece of furniture, glossily, splendidly new,
incongruously set amidst the disorder—an oak bookcase, its shelves well
filled with volumes. Seated upon a cracker box in front of its open
doors, this afternoon, a boy of eight years sat reading with rapt
excitement the story of _Gulliver’s Travels_.
He, too, seemed strangely set in that environment, for he was clean and
sweet in person and dress. His hair was black and waving, his eyes deep
blue, clear and shrewd. His cheeks were pink and gently dimpled, his
mouth ample, firm and well-cut, over a square, deeply cleft chin. He
was patently a handsome child, virile, graceful, determined in his pose.
His natural charm was made more picturesque by a blue flannel suit, with
white collar, cuffs and stockings. Oblivious to his extraordinary
surroundings, he read on until he had finished the book.
He rose then, yawned and walked to the window in the front room to look
out upon the street. Opposite was a row of low buildings—a stable, a
Chinese laundry, two dreary rooming-houses and a saloon. The roof-line
of the block, where the false wooden fronts, met the sky, held his gaze
for a few moments. A horse-car lumbered lazily past, and his eyes fell
to the cobble-paved thoroughfare and its passers-by. To the left,
Market Street roared bustling a block away and the throngs swept up and
down. To the right, a little passage starting from two saloons, one on
each corner of the street, penetrated the slums. The warm, mellow
California sunlight bathed the whole scene, picking out, here and there,
high lights on window-glass that shot forth blinding sparks and flashes.
Public-domain text, read in full here on John Shaqi.
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