The Heart Line: A Drama of San FranciscoBurgess, Gelett
General
The Heart Line: A Drama of San Francisco
Burgess, Gelett
Bohemianism -- Fiction; Fortune-tellers -- Fiction; San Francisco (Calif.) -- Fiction
The boy yawned again, his hands in his pockets, then turned to the sooty
oil stove and peered rather disgustedly amongst the frying-pans, tins
and pasteboard boxes. There was nothing in the way of food to be found.
He sniffed fastidiously at the corrupt odor of cooking, then knelt upon
the floor and began a search, crawling gingerly on hands and knees. The
ends of three matches projected slightly above the surface of the matted
layers of rubbish. Here he scraped the dirt away with a case-knife and
came upon a little paper-wrapped parcel which, opened, disclosed three
bright twenty-five-cent pieces. He wrapped them up again, tucked them
into the hole in the dirt and went on with his quest.
His next find, a foot or so from the base-board of the double doors, was
a _cache_ containing a pearl-handled pen-knife. He put it back. Here
and there in the subsoil he came upon other treasure trove, each article
carefully wrapped in paper or bits of rag—a jet ear-ring, a folded
calendar, a silver chain, two watches, a dozen screw-eyes, several
five-dollar gold pieces, a roll of corset laces. He returned them one
by one as he found them, and smoothed the dirt over the place.
He had nearly exhausted the field in the front room, when he came upon a
small paper bag containing a few macaroons. These he sat down to eat,
first brushing off feathery bits of green mold. He discovered another
bag containing peanuts. He chewed them slowly, throwing the shells upon
the floor, his eyes wandering, his air abstracted.
Leading off the front room was a smaller one whose door was shut. He
opened it now, and went in somewhat fearfully. Here was another cot
drawn up in front of the window, and, upon nails driven in the wall,
women’s hats and dresses. Upon the inside of the door was pinned a
stained, yellowing newspaper cut—the portrait of a man perhaps thirty
years old, with mustache and side-whiskers and a wide flowing collar.
Beneath it was printed the name, "Oliver Payson." The boy gazed at it
curiously for some moments.
From this, he turned to a corner where stood an old trunk covered with
cowhide whose hair was rubbed off in mangy spots. Corroded brass-headed
nails held a rotting, pinked flap of red leather about the edge of the
cover. On the top of the trunk, also in brass-headed nails, were the
letters "F.G."
He stooped over and tried the lid. The trunk was locked. He lifted it,
testing its weight, and found it too heavy to be budged. He rubbed the
hair with his hand, played with the handles and fingered the lock
longingly; then, after a last look, he left the room and closed the
door.
He had gone back to the bookcase and taken down a volume of Montaigne’s
_Essays_, when he heard a knock on the door of the back room leading
into the hallway. He unlocked the door, opened it a few inches and
stood guarding the entrance.
Public-domain text, read in full here on John Shaqi.
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