The Heart Line: A Drama of San FranciscoBurgess, Gelett
General
The Heart Line: A Drama of San Francisco
Burgess, Gelett
Bohemianism -- Fiction; Fortune-tellers -- Fiction; San Francisco (Calif.) -- Fiction
Her hand, it appeared, was of a mixed type, neither square nor conic,
with long fingers, inclined to be psychic. He remarked the
extraordinary sensitiveness denoted by their cushioned tips. Nails,
healthy and oval; knuckles indicating a good sense of order in mental
and physical life. She was, in short, of strong, vigorous mentality,
well-balanced, artistic, generous, liberal; but (he referred to the
Mount of Jupiter) with a tendency to be a looker-on rather than a sharer
in the ordinary social pleasures of life. Saturn, developed more toward
the finger, gave her a slightly melancholy temperament; Apollo showed a
great appreciation of the beautiful in nature, with no little critical
knowledge of art; Mercury was less developed, and implied a lack of
humor; Venus betrayed a well-controlled but warm feeling; it was
soft—she was, consequently, easily moved. Her thumb was wilful rather
than logical, her fingers suggested respectively, pride, perception,
self-respect, morbidity, love of the beautiful as distinguished from the
ornamental, tact.
He had thrown himself into a pose so habitual as to become almost
unconscious, though it was keyed to the theatrical pitch of his
picturesque appearance and surroundings. The girl’s expression showed,
to his alert eye, a slight disappointment at the conventionality of his
remarks. This spurred him to more originality and definiteness. He
tossed his hair back with one hand in a quick gesture and turned to the
lines in her palm, examining them first with a magnifying glass and then
tracing them with an ivory stylus. Her eyes were fixed upon his, as if
she were more interested in the manner than the matter of his task.
"You are the sort of person," he said, "who is, in a certain sense,
egoistic. That is, after a criticism of any one, you would immediately
ask yourself, ’Would I not have done the same thing, under the same
circumstances?’ You’re stupendously frank—you’d own up to anything, any
faults you thought you possessed; you’d even exaggerate a jestingly
ignoble confession of motives because you hate hypocrisy so much in
others. You are eminently fair and just, as you are generous. You have
none of the ordinary feminine arts of coquetry. If you liked a man you
would say so frankly."
It was typical of Granthope’s enthusiasm for his game that he dared thus
play it so boldly with his cards face up upon the table. His visitor
began to show more interest; it was evident that she appreciated the
ingeniousness of his phrasing. Her lip curved into a dainty smile. Her
eyes gleamed slyly, then withdrew their fire.
Public-domain text, read in full here on John Shaqi.
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