The Heart Line: A Drama of San Francisco — John Shaqi
The Heart Line: A Drama of San FranciscoBurgess, Gelett
General
The Heart Line: A Drama of San Francisco
Burgess, Gelett
Bohemianism -- Fiction; Fortune-tellers -- Fiction; San Francisco (Calif.) -- Fiction
He continued: "You are slow in action, but when the time comes, you can
act swiftly without regard of the consequences. You are not prudish.
You are willing to look upon anything that can be regarded as evidence
as to the facts of life, even though you may not care to go into things
purely for the sake of experience. You are faithful and loyal, but you
are not of the type that believes ’the king can do no wrong’—you see
your friends’ faults and love them in spite of those faults, yet you are
absolutely indifferent to most persons who make no special appeal. You
are lazy, but physically, not mentally—there is no effort you will spare
yourself to think things out and get to the final solution of a
psychological or moral problem. You love modernness, complexity of
living, the wonderful adjustments that money and culture effect, but not
enough to endure the conventionality that sort of life demands. You are
not particularly economical—you’d never go all over your town for a
bargain or to ’pick up’ antiques—you would prefer to go to a good shop
and pay a fair price. You are fond of children—not of all children,
however, only bright and interesting ones. You are fond of dress in a
sensuous sort of way; that is, you like silk stockings, because they
feel cool and smooth; silk skirts, because they fall gracefully and make
a pleasant swish against your heels; furs, on account of the color and
softness, but none of these merely because of their richness or
splendor."
His face was intent, almost scowling, two vertical lines persisting
between his brows; his mouth was fixed. His concentration seemed to
hold no personal element; there was nothing to resent in the contact of
his fingers or the absorption of his gaze. Suddenly, however, he looked
up and smiled—he knew how to smile, did Granthope—and the relation
between them became so personal and intimate that she involuntarily drew
away her hand. He was instantly sensitive to this and by his attitude
reassured her. Not, however, before she had blushed furiously, in spite
of evident efforts to control herself.
His eyes glanced again at the mole on her cheek. Then, as if electrified
by the sudden kindling and intensification of her personality, his
subconscious mind finished its work without the aid of reason. As a
bubble might separate itself from the bottom of the sea and ascend,
quivering, to the surface, his memory unloosed its secret, and it rose,
to break in his mind. The mole—_he had seen it before_—where? Like a
tiny explosion the answer came—_upon the cheek of the little girl who
visited them that day_, twenty-three years ago, at Madam Grant’s—the day
she died. It reached him with the certainty of truth. It did not even
occur to him to doubt its verity. In a flash, he saw what sensational
use he could make of the intelligence. Another idea followed it—an old
trick—perhaps it would work again.
"Would you mind taking off that ring?" he asked.
Public-domain text, read in full here on John Shaqi.
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