'Those for whom I invented the name of Sisyphians--there are plenty of 'em about now--well, I divide 'em into two sets, both, I need hardly say, equally distasteful to me. The one kind cultivates platonic friendships with the women'--Mr. Gumberg made a slight grimace. 'Their arguments appeal to feminine sensibility; "Make yourself happier by making others happy," that's the notion, and I understand that they're fairly successful as regards the primary object, but there seems some doubt as to how far they succeed in the other--eh? I should hate to be made happy myself. That sort of fellow is the husband's best friend. Not only does he keep the wife out of mischief, but he will act as special constable on occasion, and when everything else fails he's always there, ready to put his arm round the dear erring creature's waist and implore her to remember her duties! The other set undertake a more difficult task, and they don't find it so easy. That sort don't put their arms round even their own wives' waists; their dream is to embrace Humanity. She's a jealous mistress, and, from all I hear, I doubt if she's as grateful as some of 'em make out!' The old man sat down again. He drew the rug over his knees, and propped up the small portfolio on a sloping mahogany desk which always stood at his elbow. With a certain eagerness he turned over its contents, still talking the while. 'Young Robinson was their founder, their leader. He built the first of the palaces in the slums. I'm told they call the place the Melancthon Settlement. I'm bound to say that he took it--and himself--quite seriously, lived down there, and, what was much more strange, persuaded Penelope to live there, too. Oh, not for long. She would soon have tired of the whole business!' He added in a lower tone, his head bent over the open portfolio: 'I don't find things as easily as I used to do. Yet I know it's here.' Then he cried eagerly, 'I've found it!' and held up triumphantly a rudely-coloured print of which the reverse side was covered with much close writing. Downing put out his hand with a certain excitement; he knew that what the old man was about to show him had a bearing on the story he was being told. The print, obviously a caricature, represented a horsewoman sitting a huge roan and clad in the long riding-habit, almost touching the ground, which women wore in the twenties and thirties of last century. A large black hat shaded, and almost entirely concealed, the oval face beneath. In one hand the horsewoman held a hunting crop, with the other she reined in her horse, presenting a dauntless front to some twenty couple of yelping and snarling foxhounds. The colour was crude, but the drawing clear, and full of rough power.