The leader lifted his baton, and the curtain rose on the third act
of the opera. At the same moment the curtain of unacquaintance,
drawn aside a hand's-breadth by the young woman's curiosity, fell
between these two who knew not so much as each other's names, and who
assumed--if either of them thought anything about it--that the wave of
chance which had tossed them together would presently sweep them apart
again.
After the opera the ebbing tide of humanity did so separate them; but
when the man had melted into the crowd in the foyer, the young woman
had a curious little thrill of regret; a twinge of remorse born of
the recollection that she had made him open the book of his life to a
stranger for the satisfying of a mere whim of curiosity.
Miss Van Vetter was ominously silent on the way home, but she made it
a point of conscience to go to Constance's room before her cousin had
gone to bed.
"Connie Elliott," she began, "you deserve to be shaken! How did you
dare to talk with that young man without knowing the first syllable
about him?"
Constance sat down on the edge of the bed and laughed till the tears
came.
"Oh, Myra dear," she gasped, "it's worth any amount of disgrace to see
you ruffle your feathers so beautifully. Don't you see that I talked to
him just because I didn't know any of the syllables? And he told me a
lot of them."
"I should think he did. I suppose he will call on you next."
Connie the unconventional became Miss Elliott in the smallest
appreciable lapse of time. "Indeed, he will not. He knows better than
to do that, even if he is a ten--"
But Miss Van Vetter was gone.
CHAPTER II
WHEN Jeffard left the theatre he went to his room; but not directly. He
made a detour of a few squares which took him down Sixteenth Street to
Larimer, and so on around to his lodging, which was in the neighborhood
of the St. James hotel.
After the manner of those whose goings and comings have reached the
accusative point, he took the trouble to assure himself that the
burning of a cigar in the open air was the excuse for the roundabout
walk; but the real reason showed its head for a moment or two when he
slackened his pace at one point in the circuit and glanced furtively up
at a row of carefully shaded windows in the second story of a building
on the opposite side of the street.
The lower part of the building was dark and deserted; but in the alley
there was a small hallway screened by a pair of swing doors with glass
eyes in them, and at the end of the hallway a carpeted stair leading up
to the lighted room above. It was to keep from climbing this stair that
Jeffard had gone to the theatre earlier in the evening.
Public-domain text, read in full here on John Shaqi.
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