California -- Fiction; Mines and mineral resources -- Fiction; Sierra Nevada (Calif. and Nev.) -- Fiction; Western stories
For an hour Poche climbed steadily. Now he topped the summit of the
miniature mountain, and Oliver stopped him to gaze down fifteen hundred
feet into the timbered cañon of the American River. Even the cow-pony
seemed enthralled with the grandeur of the scene--the wooded hills
climbing shelf by shelf to the faraway mist-hung mountains; the green
river winding its serpentine course far below. Far up the river a gold
dredger was at work, the low rumble of its machinery carried on the soft
morning breeze.
Half an hour later Poche ambled briskly into the little town of Halfmoon
Flat, snuggled away in the pines and spruces, sunflecked, indolent,
content. It suited Oliver's mood, this lazy old-fashioned Halfmoon Flat,
with its one shady "business" street, its false-front, one-story shops
and stores, redolent still of the glamorous days of '49.
He drew up before a saloon to inquire after the road he should take out
of town to reach his destination. The loungers about the door of the
place all proved to be French- or Spanish-Basque sheep herders; and
their agglutinative language was as a closed book to the traveler. So he
dropped the reins from Poche's neck and entered the dark, low-ceiled
bar-room, with its many decorations of dusty deer antlers on fly-specked
walls.
All was strangely quiet within. There were no patrons, no bartender
behind the black, stained bar. He saw this white-aproned personage,
however, a fat, wide, sandy-haired man, standing framed by the rear
door, his back toward the front. Through a dirty rear window Oliver saw
men in the back yard--silent, motionless men, with faces intent on
something of captivating interest, some silent, muscle-tensing event.
With awakened wonder he walked to the fat bartender's back and looked
out over his shoulder. Strange indeed was the scene that was revealed.
Perhaps twenty men were in an unfenced portion of the lot behind the
saloon. Some of them had been pitching horseshoes, for two stood with
the iron semicircles still in hand. Every man there gazed with silent
intensity at two central figures, who furnished the drama.
Public-domain text, read in full here on John Shaqi.
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