The first, a squat, dark, slit-eyed man of about twenty-five, lazed in a big Western saddle on a lean roan horse. His left spurred heel stood straight out at right angles to the direction in which his horse faced. He hung in the saddle by the bend in his right leg, the foot out of the stirrup, the motionless man facing to the right, a leering grin on his face, half whimsical, half sardonic. That he was a fatalist was evidenced by every line on his swarthy, hairless face; for he looked sneering indifference into the wavering muzzle of a Colt .45, in the hand of the other actor in the pantomime. His own Colt lay passive against his hip. His right forearm rested across his thigh, the hand far from the butt of the weapon. A cigarette drooped lazily from his grinning lips. Yet for all his indifferent calm, there was in his glittering, Mongolic eyes an eagle watchfulness that bespoke the fires of hatred within him. The dismounted man who had the drop on him was of another type. Tall, angular, countrified, he personified the popular conception of a Connecticut yankee. He boiled with silent rage as he stood, with long body bent forward, threatening the other with his enormous gun. Despite the present superiority of his position, there was something of pathos in his lean, bronzed face, something of a nature downtrodden, of the worm suddenly turned. For seconds that seemed like ages the two statuesque figures confronted each other. Men breathed in short inhalations, as if fearful of breaking the spell. Then the threatened man in the saddle puffed out a cloud of cigarette smoke, and drawled sarcastically: "Well, why don't you shoot, ol'-timer? You got the drop." Complete indifference to his fate marked the squat man's tone and attitude. Only those small black eyes, gleaming like points of jet from under the lowered Chinamanlike lids, proclaimed that the other had better make a thorough piece of work of this thing that he had started. The lank man found his tongue at the sound of the other's voice. "Why don't I shoot, you coyote whelp! Why don't I shoot! You know why! Because they's a law in this land, that's why! I oughta kill ye, an' everybody here knows it, but I'd hang for it." The man on the roan blew another puff of smoke. "You oughta thought o' that when you threw down on me," he lazily reminded the other. "_You_ ain't got no license packin' a gun, pardner." The expression that crossed his antagonist's face was one of torture, bafflement. It proved that he knew the mounted man had spoken truth. He was no killer. In a fit of rage he had drawn his weapon and got the drop on his enemy, only to shrink from the thought of taking a human life and from the consequences of such an act. But he essayed to bluster his way out of the situation in which his uncontrollable wrath had inveigled him.