The Heritage of the Kurts, Volume 2 (of 2)Bjørnson, Bjørnstjerne
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The Heritage of the Kurts, Volume 2 (of 2)
Bjørnson, Bjørnstjerne
Norwegian fiction -- Translations into English
This put the idea into Milla's head to write. Simply say to Anna that
the others were here, would she not come too? She sent the carriage.
Yes, the others thought that would do.
"Go yourself!" said Tinka.
"No, I am not so discourteous as that to my guests," laughed Milla. She
sat down to write.
The others were quiet for a time; at last Nora broke in with, "Tinka is
certainly right; go yourself, we can easily go out just for that time."
"No," answered Milla, looking up from her letter; "Anna need not know
that we saw her. Then it would be the most natural thing in the world
for me to send a message to her when you are here." The others could
not contradict this. She finished off the note and hurried down with
it; as she came up again they heard the carriage drive out of the gate,
at the side of the house. Milla smiled; "I said I would explain another
time why you had come. I told Hans to be quick and to drive a little
way round so as not to pass Anna; perhaps the carriage will be there
before she is." It was evident that she was pleased at having proved
equal to a difficult occasion.
They resumed their discussion on the dolls' festival; but before the
carriage returned with Anna, the dolls and their things must be back in
the press.
Suddenly Nora broke out: "If we are not to mention the dolls to Anna,
why in the world could we not have all gone to her together?"
They looked puzzled at each other for a moment. It was true! They burst
out laughing. What had given them the mad idea that for them all to go
together would be to let out the secret of the dolls. They tried to
recall the course of their conversation, but could not determine it; at
all events, it showed that they had uneasy consciences. Tinka proposed
in good time to put away the dolls, their wardrobe and stuffs, under
Milla's superintendence; but Milla undertook to put the whole thing
tidy later on, they could sit quiet while she did so. They all objected
to this; it would be awfully amusing to put them away. And so it was
settled.
The carriage returned without Anna--she had a headache. Tora looked at
Milla, and Milla at Tora; this was a final good-bye. It put them all
out of tune for a little while, but when they remembered that at all
events they could take the dolls out again, the three guests soon
consoled themselves.
As soon as they had got to work, the conversation naturally turned upon
Anna; none of the three liked her; they thought her artificial,
_prétentieuse_, as Tora expressed it in rather affected French; Anna
was always trying to take up some special line; everything she said, or
did, must be so dreadfully thorough. But they all agreed that she wrote
well; it was true, for the two things went naturally together.
They then began to make fun of her extreme piety. Milla had said
nothing about the first; as regarded the second, she contented herself
by remarking that she had perhaps a little too much of it.
Public-domain text, read in full here on John Shaqi.
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