The Heritage of the Kurts, Volume 2 (of 2)Bjørnson, Bjørnstjerne
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The Heritage of the Kurts, Volume 2 (of 2)
Bjørnson, Bjørnstjerne
Norwegian fiction -- Translations into English
A loud chorus of joyous girls' voices sounded from the steps, and they
all hurried to the window. It was Nora and her pupils. These last few
days before Christmas, the pupils had but few lessons to do, and
therefore had employed themselves in practising some part songs, the
practice always concluding out on the steps--one of Nora's many
fancies.
This gave such immense pleasure, that not only all the little ones, who
did not join in the singing, waited up there till the great moment, but
people would collect in the avenue. As soon as the girls came racing
round the corner in walking dress and mounted the steps, the crowd in
the avenue increased and drew nearer; Fru Rendalen and the teachers had
put on their things, and were now standing at the open windows. The
girls had arranged themselves from top to bottom of the steps; the
little ones, who did not sing, occupied the sides. Right at the bottom
stood Nora, with her fair hair turned back under the hood which was
always on the back of her neck.
She had adopted Rendalen's method of conducting--the only thing that
restless being did quietly; he merely moved his right wrist, and gave
the sign with his left hand. Nora carefully held her right hand in the
same place as he did, before her breast. She heard about it often
enough.
The song sounded grandly from the steps, the notes were powerfully
given. It might be, too, that the view before them heightened the
effect by its beauty; perhaps, too, "An Old Manuscript,"[2] which had
just been printed in a Christmas number, and which every third person
in the town, from twelve years old knew, at first, second, or third
hand, may also have enhanced it, for perhaps those dark voices from the
past were heard at the same time, and by the power of contrast made the
girls' song brighter, and the moment fairer.
Below them lay the town, with the harbour between the two points of
land; now that winter was here, full of ships from side to side. At the
head of the bay, along the clay banks, were all the workshops and the
great timber-yards. To the left, the mountain, with the crowd of houses
at the top, the boat harbour below, and out beyond the mountain and the
town, the islands and the open sea. Weather on the coast is uncertain;
generally, as they looked out, taking in the view as they sang, there
were either driving clouds or gleams of sunlight over the landscape, or
if it were peaceful and bright inland, it was threatening out to sea.
Perhaps this may explain why the girls generally chose melancholy
songs.
Public-domain text, read in full here on John Shaqi.
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