The hero of the Filipinos : $b The story of José Rizal, poet, patriot and martyr — John Shaqi
The hero of the Filipinos : $b The story of José Rizal, poet, patriot and martyrRussell, Charles Edward
History
The hero of the Filipinos : $b The story of José Rizal, poet, patriot and martyr
Russell, Charles Edward
Rizal, José, 1861-1896
He had the soul of an artist, you may perceive, and the artist’s
irresistible yearning for expression. Before he was five years old, and
without tutelage or suggestion, he began to draw with pencil and to
model in clay and wax. It was form that most took his attention; to
model images of birds, butterflies, dogs, and men, to draw faces and to
outline designs. [25] For such studies his surroundings could hardly
have been better; as soon as his bent was shown father, mother, and
uncles gave him every encouragement; this is a race that upon any
manifestation of artistic promise looks with a kind of solemn joy.
Uncle José Alberto, his mother’s half-brother, had been a
school-teacher as well as a student abroad; Uncle Gregorio was a great
reader; the atmosphere of the house was friendly to study. After the
Philippine manner it was grave, decorous, reserved; for there is not on
earth, one may believe, a people by nature more serious-minded. The
family was happy to have the benignant friendship of Father Lopez, the
parish priest, a fair antithesis of the typical friar of those days and
a noble inheritor of the purest spirit of the first missions. Father
Lopez was beloved of all the children of the parish. They had sound
reason for their affection; there was no kinder or more useful man. The
friendship he maintained with José seemed more like a page out of
Charles Dickens than the barren realities of ordinary child life in the
Philippines, and the priest to have stepped from some new and Spanish
version of “Christmas Stories.” The boy was to learn by painful
experience how different from certain others of the cloth was the
gentle old curate of Calamba.
Years afterward, when he was entering upon man’s estate, he was induced
to write what he called the story of his boyhood. It proved to be a
juiceless sketch of a few pages covering many years. He was not enough
egotist to make a good autobiographer. He begins by saying he was born
a few days before the full of the moon. Then he adds:
I had some slight notions of the morning sun and of my parents.
That is as much as I can recall of my baby days.
The training I received from my earliest infancy is perhaps what
formed my habits, just as a cask keeps the odor of its first
contents. I recall clearly my first gloomy nights, passed on the
azotea [26] of our house. They seem as yesterday! They were nights
filled with the poetry of sadness and seem near now because at
present my days are so sad.
On moonlight nights, I took my supper on the azotea. My nurse, who
was very fond of me, used to threaten to leave me to a terrible but
imaginary being like the bogy of the Europeans if I did not eat.
He had nine sisters and one brother. Of his father he says that he was
a model parent. [27] “He gave us the education that was suitable to a
family neither rich nor poor. Through careful economy, he had been able
to build a stone house.”
Public-domain text, read in full here on John Shaqi.
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