The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
That the instrument was in use among the Romans is indisputable. A
historian, who wrote a history of the wars of the Persians, the Vandals,
and the Goths, states that the Roman infantry used it for marching
purposes, and he describes it as having both skin and wood extremely
fine. The name it went by was _pythaula_, a word of Greek origin, which
bears a striking resemblance to the Celtic _piob-mhala_, pronounced
_piovala_. There is in Rome a fine Greek sculpture in _basso relievo_
representing a piper playing on an instrument closely resembling the
Highland bagpipe, the performer himself being dressed not unlike a
modern Highlander. It is shown besides on several coins, but from the
rudeness of the drawings or their decay the exact form cannot be
ascertained. A small bronze figure found under Richborough Castle, Kent,
represents a Roman soldier playing on the bagpipe, but his whole
equipment is curious. The precise form of the instrument itself is
questionable, and the manner of holding it, the helmet, the ancient
purse on one side and the short Roman sword and dagger on the other, all
furnish matter for debate. About 1870 a stone was dug from the ground
near Bo’ness, on which was sculptured a party of Roman soldiers on the
march. They were dressed in short kilts, and one was playing the
bagpipe. The instrument was very similar to those of the present day
except that the drones were shorter.
A.D. 100.—Aristides Quintilianus, who lived about this time, writes to
the effect that the bagpipe was known in the Scottish Highlands in his
day. This, however, may be set aside as a reference of no value seeing
that the Highlands was then an unknown world to the Greeks. The Greeks
of the same age knew the instrument as _Tibia utricularis_, and from the
pipes, we are told, the Athenian shepherds drew the sweetest sounds.
Other books again tell us that the Athenians rejected the pipes because
they disturbed conversation and made hearing difficult. Still others—
English be it noted—contain the sentence, “Arcadia in Greece: the
bagpipe was first invented here,” but the statement is not substantiated
in any way.
A.D. 500.—In the sixth century the bagpipe is mentioned by Procopius, a
Greek historian, as the instrument of the Roman infantry, the trumpet
being that of the cavalry.
A.D. 800.—There is a picture of a primitive instrument copied from a
manuscript of the ninth century. It consists of a blow pipe on one side
of a small bag, with a sort of chanter having three or four holes and a
beast’s head instead of the usual bell-shaped end. The instrument was
held extended from the mouth, and the bag, if any pressure was
necessary, must have been elastic, as it could not be pressed in any
way.
Public-domain text, read in full here on John Shaqi.
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