He knew that he could write a _Romola_; but he thought the art of
counterfeiting half-crowns less detestable than this shabby trick of
imitating literature. He had refused definitely to enter the atelier of
the gentleman who pleased his clients by ingeniously simulating the
grain of walnut; and though he had seen the old oaken ambry kicked out
contemptuously into the farmyard, serving perhaps the necessities of
hens or pigs, he would not apprentice himself to the masters of veneer.
He paced up and down the room, glancing now and again at his papers,
and wondering if there were not hope for him. A great thing he could
never do, but he had longed to do a true thing, to imagine sincere and
genuine pages.
He was stirred again to this fury for the work by the event of the
evening before, by all that had passed through his mind since the
melancholy dawn. The lurid picture of that fiery street, the flaming
shops and flaming glances, all its wonders and horrors, lit by the
naphtha flares and by the burning souls, had possessed him; and the
noises, the shriek and the whisper, the jangling rattle of the
piano-organ, the long-continued scream of the butcher as he dabbled in
the blood, the lewd litany of the singers, these seemed to be resolved
into an infernal overture, loud with the expectation of lust and death.
And how the spectacle was set in the cloud of dark night, a phantom
play acted on that fiery stage, beneath those hideous brassy lamps,
very slowly swinging in a violent blast. As all the medley of
outrageous sights and sounds now fused themselves within his brain into
one clear impression, it seemed that he had indeed witnessed and acted
in a drama, that all the scene had been prepared and vested for him,
and that the choric songs he had heard were but preludes to a greater
act. For in that woman was the consummation and catastrophe of it all,
and the whole stage waited for their meeting. He fancied that after
this the voices and the lights died away, that the crowd sank swiftly
into the darkness, and that the street was at once denuded of the great
lamps and of all its awful scenic apparatus.
Public-domain text, read in full here on John Shaqi.
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