But as he was about to turn back, in the hope of finding some other
outlet, his attention was charmed by a small house that stood back a
little from the road on his right hand. There had been a white gate,
but the paint had long faded to grey and black, and the wood crumbled
under the touch, and only moss marked out the lines of the drive. The
iron railing round the lawn had fallen, and the poor flower-beds were
choked with grass and a faded growth of weeds. But here and there a
rosebush lingered amidst suckers that had sprung grossly from the root,
and on each side of the hall door were box trees, untrimmed, ragged,
but still green. The slate roof was all stained and livid, blotched
with the drippings of a great elm that stood at one corner of the
neglected lawn, and marks of damp and decay were thick on the uneven
walls, which had been washed yellow many years before. There was a
porch of trellis work before the door, and Lucian had seen it rock in
the wind, swaying as if every gust must drive it down. There were two
windows on the ground floor, one on each side of the door, and two
above, with a blind space where a central window had been blocked up.
This poor and desolate house had fascinated him. Ancient and poor and
fallen, disfigured by the slate roof and the yellow wash that had
replaced the old mellow dipping tiles and the warm red walls, and
disfigured again by spots and patches of decay; it seemed as if its
happy days were for ever ended. To Lucian it appealed with a sense of
doom and horror; the black streaks that crept upon the walls, and the
green drift upon the roof, appeared not so much the work of foul
weather and dripping boughs, as the outward signs of evil working and
creeping in the lives of those within.
The stage seemed to him decked for doom, painted with the symbols of
tragedy; and he wondered as he looked whether any one were so unhappy
as to live there still. There were torn blinds in the windows, but he
had asked himself who could be so brave as to sit in that room,
darkened by the dreary box, and listen of winter nights to the rain
upon the window, and the moaning of wind amongst the tossing boughs
that beat against the roof.
He could not imagine that any chamber in such a house was habitable.
Here the dead had lain, through the white blind the thin light had
filtered on the rigid mouth, and still the floor must be wet with tears
and still that great rocking elm echoed the groaning and the sobs of
those who watched. No doubt, the damp was rising, and the odour of the
earth filled the house, and made such as entered draw back, foreseeing
the hour of death.
Public-domain text, read in full here on John Shaqi.
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