But on that bright morning neither the dreadful street nor those who
moved about it appalled him. He returned joyously to his den, and
reverently laid out the paper on his desk. The world about him was but
a grey shadow hovering on a shining wall; its noises were faint as the
rustling of trees in a distant wood. The lovely and exquisite forms of
those who served the Amber Venus were his distinct, clear, and manifest
visions, and for one amongst them who came to him in a fire of bronze
hair his heart stirred with the adoration of love. She it was who stood
forth from all the rest and fell down prostrate before the radiant form
in amber, drawing out her pins in curious gold, her glowing brooches of
enamel, and pouring from a silver box all her treasures of jewels and
precious stones, chrysoberyl and sardonyx, opal and diamond, topaz and
pearl. And then she stripped from her body her precious robes and stood
before the goddess in the glowing mist of her hair, praying that to her
who had given all and came naked to the shrine, love might be given,
and the grace of Venus. And when at last, after strange adventures, her
prayer was granted, then when the sweet light came from the sea, and
her lover turned at dawn to that bronze glory, he saw beside him a
little statuette of amber. And in the shrine, far in Britain where the
black rains stained the marble, they found the splendid and sumptuous
statue of the Golden Venus, the last fine robe of silk that the lady
had dedicated falling from her fingers, and the jewels lying at her
feet. And her face was like the lady’s face when the sun had brightened
it on that day of her devotion.
The bronze mist glimmered before Lucian’s eyes; he felt as though the
soft floating hair touched his forehead and his lips and his hands. The
fume of burning bricks, the reek of cabbage water, never reached his
nostrils that were filled with the perfume of rare unguents, with the
breath of the violet sea in Italy. His pleasure was an inebriation, an
ecstasy of joy that destroyed all the vile Hottentot kraals and mud
avenues as with one white lightning flash, and through the hours of
that day he sat enthralled, not contriving a story with patient art,
but rapt into another time, and entranced by the urgent gleam in the
lady’s eyes.
The little tale of _The Amber Statuette_ had at last issued from a
humble office in the spring after his father’s death. The author was
utterly unknown; the author’s Murray was a wholesale stationer and
printer in process of development, so that Lucian was astonished when
the book became a moderate success. The reviewers had been sadly
irritated, and even now he recollected with cheerfulness an article in
an influential daily paper, an article pleasantly headed: “Where are
the disinfectants?”
Public-domain text, read in full here on John Shaqi.
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