in the right—a place in a house of business would have been more
suitable. He leaned his head on his desk overwhelmed with the severity
of his own judgment. He tried to comfort himself again by the thought
of all the hours of happy enthusiasm he had spent amongst his papers,
working for a great idea with infinite patience. He recalled to mind
something that he had always tried to keep in the background of his
hopes, the foundation-stone of his life, which he had hidden out of
sight. Deep in his heart was the hope that he might one day write a
valiant book; he scarcely dared to entertain the aspiration, he felt
his incapacity too deeply, but yet this longing was the foundation of
all his painful and patient effort. This he had proposed in secret to
himself, that if he laboured without ceasing, without tiring, he might
produce something which would at all events be art, which would stand
wholly apart from the objects shaped like books, printed with printers’
ink, and called by the name of books that he had read. Giotto, he knew,
was a painter, and the man who imitated walnut-wood on the deal doors
opposite was a painter, and he had wished to be a very humble pupil in
the class of the former. It was better, he thought, to fail in
attempting exquisite things than to succeed in the department of the
utterly contemptible; he had vowed he would be the dunce of Cervantes’s
school rather than top-boy in the academy of _A Bad Un to Beat_ and
_Millicent’s Marriage_. And with this purpose he had devoted himself to
labourious and joyous years, so that however mean his capacity, the
pains should not be wanting. He tried now to rouse himself from a
growing misery by the recollection of this high aim, but it all seemed
hopeless vanity. He looked out into the grey street, and it stood a
symbol of his life, chill and dreary and grey and vexed with a horrible
wind. There were the dull inhabitants of the quarter going about their
common business; a man was crying “mackerel” in a doleful voice, slowly
passing up the street, and staring into the white-curtained “parlors,”
searching for the face of a purchaser behind the India-rubber plants,
stuffed birds, and piles of gaudy gilt books that adorned the windows.
One of the blistered doors over the way banged, and a woman came
scurrying out on some errand, and the garden gate shrieked two
melancholy notes as she opened it and let it swing back after her. The
little patches called gardens were mostly untilled, uncared for,
squares of slimy moss, dotted with clumps of coarse ugly grass, but
here and there were the blackened and rotting remains of sunflowers and
marigolds. And beyond, he knew, stretched the labyrinth of streets more
or less squalid, but all grey and dull, and behind were the mud pits
and the steaming heaps of yellowish bricks, and to the north was a
great wide cold waste, treeless, desolate, swept by bitter wind. It was
all like his own life, he said again to himself, a maze of unprofitable
Public-domain text, read in full here on John Shaqi.
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