The finishing touch to Francesco's curious attire, the one which gave
the greatest significance to his appearance, was that which appeared
to link him in some way to the most beautiful girl in the hall. It was
a faded rose, which still seemed to cast a crimson shadow upon the
gleaming purity of his tunic, the rose he had discarded in his first
fit of despair, until he had bethought himself of a better course.
Under the wondering or sneering glances of all these eyes, Francesco,
seemingly unabashed, advanced to the Viceroy's chair, and, bending a
knee, muttered an apology for his delayed arrival.
Count Capecé bade him arise, saying audibly:
"In truth, Francesco, you shame us all for slovenliness in dress. Sit
you here by my side! Your companions yonder have brilliancy enough in
their midst. You shall relieve our soberness!"
With an amused smile Galvano Lancia made room between himself and the
Viceroy. There was a faint color in the youth's cheeks, as he hastily
dropped into the posture for grace. If no one else at the board had
perceived it, he, at least, had understood the Viceroy's mild rebuke
for overdress, and his mortification was sincere. For Count Capecé was
dressed in a sombre suit of dark green, unembroidered and unadorned.
Galvano Lancia supplemented him in a tunic of deep red, with black
hose and leather belt and pouch, and the other nobles were all attired
in garbs suitable for travel. There was a confused hum and medley of
voices, but the one all-absorbing topic of discourse was the
appearance of Conradino on Italian soil, and the hope of the
Ghibellines in the final victory of their cause.
From the first, Francesco was uncomfortable in his new place. In the
eyes of his companions, when he could catch them, he read only
curiosity, mingled in some instances with envy and malice. This was
especially the case at that part of the board where Raniero Frangipani
was seated, not too far removed from Ilaria Caselli, although the
latter had dropped her eyes, without so much as vouchsafing him a
glance.
Francesco noted it all, and between the unmistakable gaze of derision
which came to him from the Frangipani and his associates, Ilaria's
seeming unconsciousness of his presence, and the well-nigh physical
discomfort of being the target of all present, in the seat assigned to
him, he felt ill at ease. Before he had entered the room he had
absolutely believed in his own ability to act. Now he perceived his
mistake. Do what he would, his heart and his expression failed him
together.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account