At last he fixed his eyes upon the figure of her who bore the flower symbol of their relationship. Evidently the scarlet flower was being commented upon from his rightful part of the table, for he beheld Ilaria's color rise. Unexpectedly she turned her head to glance stealthily at the faded petals that burned upon the cold purity of his vestments. In that glance she met his eyes full upon her. A shadow of mingled confusion and anger flitted across her face and, snatching her own rose from her gown, she dropped it on the floor. Undoubtedly this performance was calculated to throw Francesco into a state of doubt and anxiety as to her feeling for him. Yet, how little did she guess the uselessness of that coquetry! What evermore would he have to do with love or the dallying with it? What woman would be enamored of a sackcloth gown? Yet, at this moment, he perceived that his feeling for her had rooted deeper than he had admitted to himself. And now it seemed to him that, were his well of bitterness to be deepened by one jot, it would drive him mad. And as these cobwebs of thought were spun out in his tired brain, such a black look of despair came upon his face that Ilaria was even prepared to smile upon him when he turned to her again. Galvano Lancia also saw that expression, and guessed that the Viceroy's idle whim had made the youth uncomfortable enough for this time. But in his address there was also a courtier's purpose which Count Capecé, who was looking on, understood. "Francesco!" The youth turned, to find Galvano Lancia's kindly eyes upon him. "Your father is better of his illness?" "It is well with my father!" Francesco replied laconically.