The Hindoos as They Are: A Description of the Manners, Customs and the Inner Life of Hindoo Society in BengalSivachandra Vasu
Religion
The Hindoos as They Are: A Description of the Manners, Customs and the Inner Life of Hindoo Society in Bengal
Sivachandra Vasu
Hindus; India -- Social life and customs; Women -- India
Weak and tenderhearted by nature, she
gradually sinks under the overwhelming load of despondency, and raising
her hand to her forehead mournfully exclaims, "has Fate reserved all
this for me?" In such cases, there is appropriateness in silence.
About ten o'clock the son begins to perform the rite of the funeral
obsequies, taking previously the permission of the Brahmins and the
assembled guests to do so. The officiating priest reads the formulas, he
repeating them. It must be noticed here that tenacious as the Hindoos
are in respect of the distinction of caste, they do not scruple to
invite lower orders on such an occasion, but they would not mix with
them at the time of eating. The _Dulloputty_ or head of the party, makes
his appearance about this time; when he enters the house, all other
guests then present, except the Brahmins, as a token of respect for his
position, rise on their legs, and do not resume their seats until he
sits down. For this distinction or honour a _Dullopatty_ has to spend an
immense sum of money, to which allusion has already been made. His
appearance serves as a signal for the performance of the rite, called
_mala chandan_, or the distribution of garlands and sandal paste among
the assembled multitude. As a matter of course, the Brahmins by way of
pre-eminence receive the first garland, and after them the _Dullopatty_
obtains the same honour, and then the _Koolins_[123] and other guests
according to rank. Where there is no _Dullopatty_, the garland is put
round the neck of a boy, at which no one can take any offence, and
afterwards they are distributed indiscriminately.
Meantime the son is engaged in the performance of the ceremony, while
the bands of songsters quarrel with one another for the privilege of
entertaining the audience with their songs, which renders confusion
worse confounded. Female songsters of questionable virtue are now more
in favor than their male rivals, which is an unerring proof of the
degeneracy of the age. Only one band is formally engaged, but thirty
bands may come of their own accord, quite uninvited. The disappointed
ones generally get from two to four Rupees each, but the party retained
gets much more, the rich guests coming in making them presents, besides
what they obtain from the family retaining them.
Public-domain text, read in full here on John Shaqi.
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