The Hindoos as They Are: A Description of the Manners, Customs and the Inner Life of Hindoo Society in Bengal — John Shaqi
The Hindoos as They Are: A Description of the Manners, Customs and the Inner Life of Hindoo Society in BengalSivachandra Vasu
Religion
The Hindoos as They Are: A Description of the Manners, Customs and the Inner Life of Hindoo Society in Bengal
Sivachandra Vasu
Hindus; India -- Social life and customs; Women -- India
The next Brata is called the _Sajooty_ Brata. It is solely intended to
counteract the thousand evils of polygamy--an unhealthy, unnatural
institution, which ought to be expunged from the midst of every
civilized community. Though God "has stamped no original characters on
our minds wherein we may read his being," still we can clearly discern
in His superior arrangements for the happiness of His creatures, that
this abnormal practice is directly opposed to His dispensations, so much
so that any one countenancing it, is guilty of a crime, for which, if he
is not amenable to an earthly tribunal, he is assuredly accountable to a
superior and superintending Being, the infringement of whose law is sure
to be attended with misery. To get rid of the consequences of this
monstrous evil, a girl of five years of age is taught to offer her
invocation to God, and in the outburst of her juvenile feeling is almost
involuntarily led to indulge in all manner of curses and imprecations
against the possible rival of her bed. Nor can we find fault with her
conduct, because "an overmastering and brooding sense" of some great
future calamity thus early haunts her mind.
In performing the _Sajooty Brata_, the girl paints on the floor with
rice paste a variety of things, such as the bough of a flower tree, a
Palkee containing a man and a woman, with the sun and moon over it, the
Ganges and the Jumna with boats on them, the temple of Mahadeo with
Mahadeo in it, various ornaments of gold and precious stones, houses,
markets, garden, granary, farm-yard and a number of other things, all
intended to represent worldly prosperity. After painting the above, she
invokes Mahadeo and prays for his blessing. An elderly lady more
experienced in domestic matters then begins to dictate, and the girl
repeats a volley of abuses and curses against her _Sateen_ or rival wife
in the possible future.
"There, stripped, fair rhetoric languished on the ground,
And shameful Billingsgate her robes adorn."
The following are a few of the specimens; I wish I could have
transcribed them in metre.:--
"_Barrey, Barrey, Barrey_ (a cooking utensil)
May _Sateen_ become a slave!
_Khangra, Khangra, Khangra_, (broomstick)
May _Sateen_ be exposed to infamy!
_Hatha, Hatha, Hatha_, (a cooking utensil)
May she devour her _Sateen's_ head!
_Geelay, Geelay, Geelay_ (a fruit)
May _Sateen_ have spleen!
_Pakee, Pakee, Pakee_ (bird)
May _Sateen_ die and may she see her from the top of her house!
_Moyna, Moyna, Moyna_ (bird)
May she never be cursed with a _Sateen_!"
May she cut an _Usath_ tree, erect a house there, cause her _Sateen_ to
die and paint her feet with her _Sateen's_ blood!
I might swell the list of these curses, but I fear they would prove
grating to the ears of civilized readers.
Public-domain text, read in full here on John Shaqi.
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