The traditional story of Romulus’ campaign against Veii is moreover quite devoid of colour and character. The hundred years’ truce is mentioned at random. Dionysius makes the condition of it the surrender of the Septem Pagi[5] and Salt plains, another incident borrowed from subsequent history. And yet these two short and uneventful campaigns are supposed to have occupied the long reign of a monarch so warlike, restless, and active, a monarch of whom it was said that he barbarised the Roman nation by his incessant wars. Not only is it clear that there exists no authentic account of these wars, but no mention is made of them in ancient tradition, which only records the entrance of Romulus into the world and his exit from it. The interregnum is occupied for the most part by literary inventions made to fill up the gaps in tradition and to present a complete historical account. The method of Romulus’ departure from the world is the natural consequence of his earthly existence. He who had come into the world by a miracle could only leave it by a miracle. To accentuate the singularity of both events an eclipse celebrates both his arrival and his departure. Hercules is a parallel instance in Greek mythology. A thundercloud transports him to heaven, where he is reconciled to his enemy Hera, whose daughter Hebe he takes to wife. Either this or a cognate myth in Greek mythology was in the mind of the Roman poets, because the conception of such an apotheosis was as foreign to the Italian religions as was the idea of sexual intercourse between gods and men, and the conception of men by gods. Both ideas are creations of Greek mythology. It was doubtless Ennius, learned in Greek lore, who first cast into poetic shape the apotheosis of Romulus and introduced the idea of it to Rome.