The historical novel : $b An essayButterfield, Herbert
History
The historical novel : $b An essay
Butterfield, Herbert
Historical fiction -- History and criticism
In the ensuing dialogue, however, where Wamba and Gurth have to
contemplate “the swine being turned Normans,” this same historical
material is translated into terms of fiction. It is not stretched, or
varnished, or distorted. The novelist does not try to outdo history by
invention, or to round off the true historical position by a kind of
idealisation; at least the significance of the chapter does not lie
in any of these things. What is important is the fact that here the
same historical material is given to the reader in a different way,
and is treated with a different aim. Instead of the general there is
now the particular. Tendencies that were broadly described before are
given precision, we see what they mean when they are pinned down to
individual cases. Before, we were given the formula for the age; now we
see the forces that were described manifesting themselves at a definite
place, at a particular moment. Here the past speaks for itself. We
see it and are in it, we do not simply hear a man describing it. And
instead of that conflict of languages being put into its context in
the history of language, the novelist puts it into its context in the
whole life of the time, and hunts out a different set of implications
in it. All this comes with greater vividness to the reader. History is
reinforced by being written in the story-teller’s way.
This is one example taken from a chapter in which the historian and
the historical novelist chance to rub shoulders with each other, but
the idea is capable of being projected on to a larger canvas. In the
Introduction to _Ivanhoe_ Scott shows how all this can be extended
when, in terms of the historian, he again describes the set of facts,
which he has turned into fiction, the chart which he has changed into a
picture; this time on a bigger scale, covering the whole range of the
novel.
It seemed to the author that the existence of two races in the
same country, the vanquished distinguished by their plain, homely,
blunt manner, and the free spirit infused by their ancient
institutions and laws; the victors, by the high spirit of military
fame, personal adventure and whatever could distinguish them as
the Flower of Chivalry might, intermixed with other characters
belonging to the same time and country, interest the reader by the
contrast, if the author should not fail on his part.
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