The historical novel : $b An essayButterfield, Herbert
History
The historical novel : $b An essay
Butterfield, Herbert
Historical fiction -- History and criticism
It might seem that these, the men of exceptional powers, and the
men who find themselves in unusual situations, are the very people
whom history does not forget; but this is only true with one great
limitation. They must be people whom exceptional powers or the
apparent accident of circumstances once brought into the public eye.
They must be “historic” people, as well as “historical,” if our
knowledge of them is to be more than fragmentary. If a man is memorable
in his public life, then the world will see to it that his private
life does not go unrecorded and unremembered; the personal things,
the experience of the man even, will become known in so far as they
are not specially concealed and in so far as such things in the life
of an individual are communicable to others. The novelist who can do
justice to these is widening the range of the novel, and bringing new
and intenser experience into the kingdom of the novel, and is exploring
life in its most intractable regions. He reaches life as it has been
lived, at some of its finest points, and at some of its most splendid
or most pressing moments. History, it has been seen, may give wing to
the novel, and may expand its range. What is true for the life of an
age or a people is here true also of the life of individuals. Biography
also may place new fields of experience within the scope of a novel.
Statesmen and kings and scientists, then, are not shut out of the
novel, but the novelist’s interest in them is not an interest in the
statesmanship, or in the rule, or in the science but in the whole
personality of the man behind these, and his theme is still a human
heart caught into the world and entangled in time and circumstance.
The politician, the economist, the philosopher and the psychologist are
all students of mankind in a way, and can claim that their studies are
human studies; but they only start with human nature, and they soon run
into theorems and formulas and lose themselves in their own categories,
and so are swept away from contact with flesh and blood. But the
novelist does not begin with men and then leap into abstractions. He
keeps his hand on a human pulse all the time. Political issues coming
into his work are put into their whole context in life and experience,
and instead of being abstracted into a realm of political science they
are fastened to men and women who are “political animals,” but are
something more as well. The novelist sees the whole of life, and he
goes one further, and one better than the scientific historian in that
men are to him (as they are to themselves) ends in themselves, not
merely servants of a process which consumes them, not merely means to
an end and links in the chain of history. A man may lose himself in
politics or mathematics but to the novelist it is still the man that
matters.
Public-domain text, read in full here on John Shaqi.
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