The History and Antiquities of the Doric Race, Vol. 2 of 2Müller, Karl Otfried
History
The History and Antiquities of the Doric Race, Vol. 2 of 2
Müller, Karl Otfried
Dorians -- History; Greece -- Antiquities, Dorian; Greece -- History -- Dorian Invasions, approximately 1125-1025 B.C.
4. In direct contrast with the above is the simple unornamented character
and unobtrusive grandeur of the style unanimously called by the ancients
_the Doric_.(1237) It appears certain that the first hints of this order
were borrowed from buildings constructed of wood, a fact which I cannot
reconcile with the supposition of a foreign origin. For we should thus
lose sight altogether of the gradual and regular progress by which it
advanced to maturity, and suppose that the improvements of foreign
artificers, with their peculiar principles, and those of native
architects, looking only to the original structure of wood, were blended,
or rather violently confused together. Could anything be more natural than
that the long surface of the principal beams should be imitated in stone,
that the cross-beams with the Doric triglyph should be laid over these,
the intervals or metopes being by degrees covered with marble, whilst the
cornice, in imitation of carpenters’ work, was allowed to project in bold
relief? The roof perhaps was for some time allowed to end in a slope on
each side; Corinth was the first place where the front and hind part were
finished off with a pediment; the tympanum being adorned with statues of
ancient clay-work.(1238) Such was the origin of the Doric temple, of which
early models have been preserved in the Doric towns of Corinth and Pæstum,
in Ægina, and the Doric colonies of Sicily.
We cannot however suppose it to have been the opinion of the historian of
ancient architecture,(1239) that the _artistical_ character of the Doric
architecture may be satisfactorily derived from wooden buildings. It is
the essence of this art to connect, by the varieties of form and
proportion, a peculiar association of ideas with works intended merely for
purposes of necessity. The Doric character, in short, created the Doric
architecture. In the temples of this order the weight to be supported is
intentionally increased, and the architrave, frieze, and cornice, of
unusual depth; but the columns are proportionably strong, and placed very
close to each other; so that, in contemplating the structure, our
astonishment at the weight supported is mingled with pleasure at the
security imparted by the strength of the columns underneath. This
impression of firmness and solidity is increased by the rapid tapering of
the column, its conical shape giving it an appearance of strength; while
the diminution beginning immediately at the base, and the straight line
not being, as in other orders, softened by the interposition of the
swelling, gives a severity of character to the order.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account