The history of fashion in France : $b or, the dress of women from the Gallo-Roman period to the present timeChallamel, Augustin
History
The history of fashion in France : $b or, the dress of women from the Gallo-Roman period to the present time
Challamel, Augustin
Clothing and dress -- France -- History
At the approach of winter, gowns and mantles were trimmed with fur: blue
fox, marten, and sable were preferred; chinchilla and Astrakan came
next in order. “Coat-bodices” partially revived the fashions of Louis
XIII. and Louis XIV.; they were worn with long waistcoats, embroidery,
cascades of lace, and gold braid. Plaited chemisettes fastening behind,
were generally worn with square-cut bodices; also pocket-handkerchiefs in
clear cambric and “Fritz” fichus.
The “La Vallière” cravat was succeeded by a longer one with square ends,
and by the “Malesherbe” in silk guipure, or in guipure and grenadine.
Nickel and strass buckles were extremely fashionable, and looked
remarkably well with corded silk belts.
Dress stuffs had curious designations in the year 1877. For instance,
“ventre-saint-gris,” a woollen texture with long rough hairy surface, in
two shades of grey and green; “mousse-des-bois,” (wood moss); “frisé”
(curled) “Malabar;” “frimas,” a speckled material; “chenillé velvet,” and
“myosotis,” a mixture of wool and silk, speckled in two shades of blue,
and in gold-colour. English velveteen now seemed to have reached its
zenith of fashion.
I must note the very handsome muffs that made their appearance about the
end of November. They were of small size, and made of cloth, velvet, or
satin, lined and bordered with fur, and ornamented with a large ribbon
bow. They were transformed into scent-sachets, perfumed with essences of
heliotrope, rose, and gardenia.
A manufacturer of fans invented a fan composed of real flowers and
leaves; but it was not a success, on account of the extreme fragility of
such an article. Fans were then made of artificial flowers; but these
too were a failure, for they sinned against good taste. And both were
far inferior to mother-of-pearl, tortoise-shell, and ivory fans, either
beautifully painted or trimmed with lace.
Costumes, bonnets, and mantles, were designated by Russian names,
doubtless on account of the war that had just broken out between Russia
and Turkey. Otter-skin, fur, and plush hats were much worn. Flowers were
“out,” but feathers were “in,” and the plumage of the “impeyan,” the owl,
the golden ouzel, and the gorgeous breast of the pheasant, were profusely
employed. Jewelled ornaments were worn on bonnets, and double-headed
pins in jet, gold, or pearl. “Sita” veils, and veils of mohair lace,
with white and black shawls, mantles, “Marie-Antoinettes,” and elegantly
contrived headkerchiefs, served to shield the fair wearers from the cold
winds of winter.
In December, a novelty made its appearance in the shape of ornaments,
in _black silver_. These did not detract, however, from the value of
coral, which became more and more fashionable every day, from that of old
silver, filagree, or, especially, the old jewels, whether simple or rich,
of past eras.
[Illustration]
[Illustration: Present Fashions 1879
Present Fashions 1880]
CHAPTER XXXIII.
FASHIONS OF THE PRESENT DAY (CONTINUED).
1878 TO 1881.
Public-domain text, read in full here on John Shaqi.
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