The history of fashion in France : $b or, the dress of women from the Gallo-Roman period to the present timeChallamel, Augustin
History
The history of fashion in France : $b or, the dress of women from the Gallo-Roman period to the present time
Challamel, Augustin
Clothing and dress -- France -- History
With a standing-up collerette there was no need of a necklace. But with
low-cut bodices, ladies wore pearl or gold necklaces, from which was
usually hung a valuable cross. At the present day also crosses are very
frequently worn. In a certain collection there is a necklace of the
sixteenth century, composed of six cameos of tragic and comic heads.
We must add that there were ladies who wore necklaces even with
standing-up ruffs, as may be observed in the fourth figure of our
engraving, which gives the costume of a French lady in the suite of Mary
Stuart.
The wives of nobles and of great merchants used both rouge and white
paint on their faces, and some of them adopted the “loup,” or small black
velvet mask, to preserve their complexion from sunburn. Masks received
the name of _loup_, or wolf, because at first young children were
frightened by them.
The head-dress of the period was the “cale,” or little bag in which
women imprisoned their hair, and above this they placed a cap or toque
with white feathers. They retained hoods also, or else they wore coifs,
generally of velvet, bent down over the forehead, and with a veil
attached behind. Little could be seen of the hair, beyond two rolls, one
on either side of the temples. Lastly, some ladies, Mary Stuart and her
attendants in particular, had their hair curled, confined it in a light
net, and encircled it with a diadem of beads or metal.
The coiffure “en raquette” consisted of open basket-work plaits.
Low shoes and slippers were still exclusively worn; but when it was
necessary to leave home and brave the mud, or when ladies wished to add
to their deficient stature, they wore light pattens with cork soles
over their house shoes. In the latter case, pattens occasionally became
perfect pedestals, marvellously increasing the height of dwarfs, and
laying them open to many ill-natured jests.
“I recollect,” says Brantôme, “that one day, at court, a very fine and
beautiful woman was looking at a tapestry whereon Diana and her nymphs
were very innocently depicted in short garments, and displaying their
beautiful feet and legs. Beside this lady stood one of her companions,
who was very short and small, and who also was admiring the tapestry.
‘Ah, my dear,’ said her friend, ‘if we were all dressed after that
fashion, you would not gain by it, for your high pattens would be seen.
Be thankful to the times and to the long skirts we wear that hide your
legs so neatly—the which, with their great pattens, are more like clubs
than legs; for if any one had no weapon for fighting, he need but to cut
off your leg, and holding it at the knee, he would find your foot and
shoe and patten would strike right well.’”
May we not say the same thing at the present day? Now that little women
wear inordinately high heels to give themselves the appearance of middle
height, dwarfs are induced to think themselves almost giants.
Public-domain text, read in full here on John Shaqi.
The history of fashion in France : $b or, the dress of women from the Gallo-Roman period to the present time — John Shaqi
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