The History of Mendelssohn's Oratorio 'Elijah'Edwards, F. G. (Frederick George)
History
The History of Mendelssohn's Oratorio 'Elijah'
Edwards, F. G. (Frederick George)
Mendelssohn-Bartholdy, Felix, 1809-1847. Elias
"Before I set to work I should like to know your idea of the
matter. For the rest, I am more and more convinced that you
will have to supply the principal part of the text yourself.
How is one to know what is running through your mind on this
or that occasion? Therefore the words are only set down as
hints, suggesting what might be written."
Mendelssohn replied to Schubring in words which show that there was
some difference of opinion between them as to the "plan" of the
oratorio. Here is the composer's letter:--
[MENDELSSOHN TO SCHUBRING.]
"LEIPZIG, _December_ 6, 1838.[14]
"Dear Schubring,--Along with this you will receive the organ
pieces and 'Bonifacius,' which I also enclose. Thank you
much for the letter and for the manuscripts you have from
time to time sent me for 'Elijah'; they are of the greatest
possible use to me, and although I may here and there make
some alterations, still the whole thing, by your aid, is
now placed on a much firmer footing. With regard to the
dramatic element, there still seems to be a diversity of
opinion between us. With a subject like 'Elijah' it appears
to me that the dramatic element should predominate, as it
should in all Old Testament subjects, Moses, perhaps,
excepted. The personages should act and speak as if they
were living beings--for Heaven's sake let them not be a
musical picture, but a real world, such as you find in every
chapter of the Old Testament; and the contemplative and
pathetic element, which you desire, ought to be entirely
conveyed to our understanding by the words and the mood of
the acting personages....
"I am now myself about to set to work again on the 'Elijah,'
and to plough away at the soil as best I can; if I do not
get on with it you must come to my aid, and I hope as kindly
as ever, and preserve the same regard for your
"FELIX MENDELSSOHN-BARTHOLDY."
[Footnote 14: _Ibid._, p. 146.]
The following letter is the next from Schubring that is printed; but
it was not written till nearly two months after that from Mendelssohn,
just quoted.
[SCHUBRING TO MENDELSSOHN.]
DESSAU, _February_ 2, 1839.[15]
Public-domain text, read in full here on John Shaqi.
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