The History of Mendelssohn's Oratorio 'Elijah' — John Shaqi
The History of Mendelssohn's Oratorio 'Elijah'Edwards, F. G. (Frederick George)
History
The History of Mendelssohn's Oratorio 'Elijah'
Edwards, F. G. (Frederick George)
Mendelssohn-Bartholdy, Felix, 1809-1847. Elias
"If you do not care for either of these two subjects, then I
am willing to take any other--for instance, 'Saul.' But
somehow I think 'Elijah,' and his going up to heaven in the
end, would be a most beautiful subject. And if you think of
using Bible words, read up Isaiah lx. and lxiii., to the end
of the Prophet, and also chapter xl., and Lamentations, and
all the Psalms. When you have done this you will easily find
the right language. Just think what sort of an oratorio I
ought to be able to write at this moment, and such an one
send me. It ought to be your wedding present to me; it would
be the gift I would value most. Do not refuse my request. Of
course, if you are too busy, do not be vexed with me for
asking this of you; but do write to me, anyhow, very soon."
Mendelssohn was married at Frankfort, on March 28, 1837. Klingemann
evidently did not send a wedding present in the form of an oratorio
"text" in time for the ceremony, since Mendelssohn, while on his
honeymoon, wrote the following letter to his London friend:--
[MENDELSSOHN TO KLINGEMANN.]
FREIBURG, _April_ 30, 1837.
"... Will you soon be able to fulfil your promise about
'Elijah'? Forgive my pressing you thus for an answer. It is
not my fault; it is the fault of circumstances. It seems to
me more and more a mistake to imagine that anyone can make a
lasting impression by _one_ single work--it ought to be done
steadily, uninterruptedly, by progressive writings. Out of
these the best will eventually stand forth, if all are
conceived in an earnest spirit. Therefore, I want to write
some more sacred music soon, especially as I see no chance
of being able to compose an opera. Perhaps this is as well,
for it seems to me as if all the German theatres were at the
present moment in such bad condition, that one cannot reckon
on a good performance anywhere, and therefore there may yet
be a few years' time before me, and I may do it all the
better then; for that I must write operas is an idea I
cannot give up. The choral societies, on the other hand, are
just now good, and long for new music; and I should like to
give them something that would please me better than my 'St.
Paul' does. Do help me to this, and send me a new oratorio
'text.'"
Public-domain text, read in full here on John Shaqi.
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