In view of the influence of the one book upon the other, and the one writer upon the other, it is worth note that Lockhart had a fit of enthusiasm over Scott's _Napoleon_ when it first appeared, or rather when he first read the first six volumes of the work, before they were "out," in 1827. He thought Scott would make as great an effect by it as by any two of his novels. This proved a mistaken forecast, but Scott was paid an enormous price--some eighteen thousand pounds. When then John Murray, who had already co-opted Lockhart as his _Quarterly_ editor, thought of inaugurating a "Family Library," and he proposed to his editor this other Napoleon book, it must have seemed in many ways a very attractive piece of work. But owing partly to Lockhart's relations with Scott, and partly to the need of avoiding any literary comparisons, these small, fat duodecimos appeared anonymously. That was, as it has been already mentioned, in 1829, two years after Scott's book. To-day, it makes a capital starting-point for the long Napoleon adventure, whose end, so far as it is prolonged by fresh literary divigations, seems to be as remote as ever. It is from the French side that one might chiefly draw those vivid and sometimes questionable glimpses at first-hand, that can best add to Lockhart's presentment. One must compare his retreat from Russia with Rapp's and other remembrancers' accounts, and be reminded by Rapp to go on to Jomini's _Vie Militaire_, and even turn for a single personal reminiscence to a flagrant hero-worshipper like Dumas, in his rapid and military biography. "Only twice in his life," said Dumas, "had he who writes these lines seen Napoleon. The first time on the way to Ligny; the second, when he returned from Waterloo. The first time in the light of a lamp; the first time amid the acclamations of the multitude; the second, amid the silence of a populace. Each time Napoleon was seated in the same carriage, in the same seat, dressed in the same attire; each time, it was the same look, lost and vague; each time, the same head, calm and impassible, only his brow was a little more bent over his breast in returning than in going. Was it from weariness that he could not sleep, or from grief to have lost the world?" This is the French postscript to many English books about the victor and loser of the world. * * * * * The following is a list of the works of John Gibson Lockhart (1794-1854):-- Peter's Letters to his Kinsfolk, by Peter Morris the Odontist (pseud.) 1819; Valerius, a Roman Story, 1821; Some Passages in the Life of Mr. Adam Blair, 1822; Reginald Dalton, a Story of English University Life, 1823; Ancient Spanish Ballads (trans.) 1823; Matthew Wald, a Novel, 1824; Life of Robert Burns, 1828; History of Napoleon Buonaparte, 1829; History of the late War, with Sketches of Nelson, Wellington and Napoleon, 1832; Memoirs of the Life of Sir Walter Scott, 7 vols. 1836-8; Theodore Hook, a Sketch, 1852.