Another album, which is also in Mr. Wellesley’s collection, is most
elaborate. Each page has a finely wrought border, in the centre of which
is pasted the silhouette portrait of a friend; the male sex is largely in
the majority, but a few women’s profiles are included. We cannot imagine
a more charming souvenir of an interesting circle of friends than such a
shadow pageant. Old comrades would be brought to remembrance through the
extraordinarily vivid personal touch that the silhouette picture retains;
friends almost forgotten seem to rise up in the memory as we handle their
black profile portrait, for there is a direct appeal in outline, which is
more profound than when contour blurs the recollection.
In examining such a collection, one cannot help being interested in the
very great variety of wigs—no two are alike; long and short queues, large
and small ribbons, coquettish curls, majestic rolls, are shown amongst
the men’s profiles, till we are bewildered with the variety, and cease to
wonder that all kinds of fanciful names were given by the beaux of the
day to the special hair-dressing they affected.
No less remarkable is the head-dressing of the ladies, and the
elaboration of the curls and coifs is only eclipsed by the intricacy of
the flowers, feathers, bows of ribbon gauze and taffeta with which the
great erections are garnished. Even when there is no gilt pencilling to
throw up the detail, the effect is marvellously interesting; and, for
this reason alone, the old black shadow collections make a very absorbing
study.
An extraordinarily interesting collection of upwards of one hundred and
fifty is in a narrow folio volume in paper cover, dated 1804. Religious
processions and ceremonies, rural and domestic scenes and children’s
games, are cut with the utmost delicacy and mounted on white paper.
Here are a few of the subjects:—Carrying the Host to a sick person
at Nice; Cleaning Shoes in Paris; Drinking the Waters at Wiesbaden;
Gathering Apples near Paris; Sprinkling Clothes at Bergen; Procession
on Palm Sunday; Procession of the Virgin Mary; Jewish Wedding; The Pope
carried round St. Peter’s; A Fish-market; Wine-making; and a dozen other
complicated scenes. All are depicted with wonderful accuracy. This
important collection has now unfortunately left England.
Another interesting little scrap-book of yellow paper, bound in calf,
contains the portraits of—the King (George III.); Edw. King, Esq.; Mrs.
King; Mrs. Carter, the translator of Epictetus; Tiberius Cavallo, Esq.;
Mrs. Fiere, mother of the Rt. Hon. S. H. Fiere; Baron Rechausen, Swedish
Minister; Madame Rechausen; two favourites; Miss H. Randall; Warren
Hastings, Esq., Governor-General of India; General Paoli. Some of these
are in Indian ink, some in cut paper.
[Illustration: SILHOUETTE PORTRAIT OF A MAN
By A. Forberger, Paris. Signed and dated 1791]
CHAPTER VIII.
SILHOUETTE DECORATION ON PORCELAIN AND GLASS.
THE SILHOUETTE THEATRE.
Public-domain text, read in full here on John Shaqi.
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