When the day is fixed for the wedding, the bride’s father builds a bower of lattice-work in the courtyard of his house. The erection of this _pendal_, or marriage bower, is considered a publication of the bans, and friends and relations immediately pay a ceremonious visit. The female friends, walking under a canopy, bring presents of betel to the young couple. In the midst of the court is set up a stone image of Polear, god of marriage. The Bramins make offerings of cocoas, bananas, and betel, praying that the god would be propitious to the marriage. As soon as the _pendal_ is finished, the image is removed. The bridegroom, richly dressed, and accompanied by his friends in festal attire, is conducted to the house of the bride. Here a particular ceremony is performed, called _taking away the looks_; for the Hindoos believe the most deplorable consequences would ensue, if any person looked on the young man with envious, or malicious eyes. To avert this disaster, they prepare a basin of water colored red, which they turn round three times before the face of the bridegroom, and then throw it into the street; sometimes they tear a strip of cloth before him, and throw the pieces different ways; and sometimes they fasten certain mystic rings on the heads of the couple. The bridegroom and bride, splendidly dressed, are carried about for several days in palanquins, accompanied by a long train of relations and friends, some riding on horses, and some on elephants, preceded by musicians and dancing girls. These processions are generally in the evening, attended by illuminations and fireworks. While these ceremonies continue, the dancing girls meet in the _pendal_ morning and evening, and rub the young couple with _naleng_, the small green seed of a plant sacred to marriage. While the assembled guests are dining, the bride and bridegroom eat together from the same plate. This is the only time during her whole life that a Hindoo wife is allowed to eat with her husband. On the wedding day, the bride and bridegroom sit beside each other, at one end of the _pendal_, which is lighted with a great number of lamps. The Bramins, on a raised platform, surrounded with jars of water, offer prayers to their gods. They then kindle the sacrificial fire, with various kinds of sacred wood, and repeat prayers and invocations, while they throw into the flames incense, sandal-wood, oil, butter, rice, and other things. When the prayers are ended, the father of the bride puts her hand within that of the bridegroom, calls the god of fire to witness his words, and then repeats after the Bramin: “I, ----, the son of ---- and grandson of ----, give my daughter to thee, son of ---- and grandson of ----.”