The History of the Manners and Customs of Ancient Greece, Volume 2 (of 3) — John Shaqi
The History of the Manners and Customs of Ancient Greece, Volume 2 (of 3)St. John, James Augustus
History
The History of the Manners and Customs of Ancient Greece, Volume 2 (of 3)
St. John, James Augustus
Greece -- Social life and customs
The house of the bridegroom, diligently prepared for their reception,
was decorated profusely with garlands, and brilliantly lighted up. When,
among the Bœotians, the lady, accompanied by her husband, had descended
from the carriage, its axletree was burnt, to intimate that having found
a home she would have no further use for it.[69] The celebration of
nuptial rites generally puts people in good temper, at least for the
first day; and new-married women at Athens stood in full need of all
they could muster to assist them through the crowd of ceremonies which
beset the entrances to the houses of their husbands. Symbols of domestic
labours, pestles, sieves,[70] and so on, met the young wife’s eye on all
sides. She herself, in all her pomp of dress, bore in her hands an
earthen barley-parcher.[71] But, to comfort her, very nice cakes of
sesamum,[72] with wine and fruit and other dainties innumerable,
accompanied by gleeful and welcoming faces, appeared in the background
beyond the sieves and pestles. The hymeneal lay,[73] with sundry other
songs, all redolent of “joy and youth,” resounded through halls now her
own. Mirth and delight ushered her into the banqueting-room, where
appeared a boy covered with thorn branches, and oaken boughs laden with
acorns, who, when the epithalamium chaunters had ceased, recited an
ancient hymn beginning with the words, “I have escaped the worse and
found the better.”[74] This hymn, constituting a portion of the divine
service performed by the Athenians during a festival instituted in
commemoration of the discovery of corn, by which men were delivered from
acorn-eating, they introduced among the nuptial ceremonies to intimate,
that wedlock is as much superior to celibacy as wheat is to mast. At the
close of the recitation, there entered a troop of dancing girls crowned
with myrtle-wreaths, and habited in light tunics reaching very little
below the knee, just as we still behold them on antique gems and vases,
who, by their varied, free, and somewhat wanton, movements, vividly
represented all the warmth and energy of passion.
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Footnote 69:
Plut. Quæst. Roman. xx. 19. Valckenaer ad Herodot. iv. 114.
Footnote 70:
Poll. iii. 37.
Footnote 71:
Poll. i. 246.
Footnote 72:
Schol. Aristoph. Pac. 834.
Footnote 73:
Athen. xiv. 10. Anac. Od. xviii. Schol. Hom. Il. σ. 493. Pind. Pyth.
iii. 17. Dissen. Schol. ad v. 27.
Footnote 74:
Suid. v. ἔφυγον κακὸν. t. i. p. 1113, d.
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