The History of Yiddish Literature in the Nineteenth CenturyWiener, Leo
History
The History of Yiddish Literature in the Nineteenth Century
Wiener, Leo
Yiddish literature -- History and criticism
By far the most original author of this latest period is Perez,[106]
whose poetical works have been discussed before. With him Judeo-German
letters enter into competition with what there is best in the world's
literature, where he will some day occupy an honorable place. Among his
voluminous works there is not one that is mediocre, not one that would
lose anything of its comprehensibleness by being translated into another
language. Although they at times deal with situations taken from Jewish
life, it is their universal human import that interests him, not their
specifically racial characteristics. It is mere inertia and the desire
to serve his people that keep him in the ranks of Judeo-German writers.
He does not belong there by any criterions that we have applied to his
confreres, who themselves complain that his symbolism is inaccessible to
the masses for whom he pretends to write. While this accusation is
certainly just in the case of some of his works, it cannot be brought up
in many other cases, where, in spite of the allegory, mysticism, or
symbolism underlying his tale, there is a sufficient real residue of
intelligible story for the humblest of his readers. He, too, aims at the
education of his people, but in a vastly different sense from his
predecessors. It is not the material information of mere facts that he
strives for, nor even the broader culture of the schools that he would
substitute for the Jewish lore and religious training, nor is he
satisfied, with Spektor, to rouse the dormant national consciousness.
His sympathies are with humanity at large, and the Jews are but one of
the units that are to be redeemed from the social slavery under which
the wretched of the world groan. It is those who have become timid under
oppression of whatsoever form, who have lost the power of thinking, who
have developed only the power of suffering, who are saints without
knowing it, that Perez loves best. To them he would restore the human
rights so long withheld from them, not by political and social
enfranchisement, but by a consciousness of their human dignity which
must precede all reform. To those to whom belongs the Kingdom of Heaven
must also be given the Kingdom on Earth. While, nevertheless, the
material things are withheld from them, there is no reason why the
spiritual things should not be turned over to them. Perez, for one,
offers gladly all he has, his genius, in the service of the lowly.
Literature, according to him, is not to be a flimsy pastime of the
otiose, but a consolation to those who have no other consolation, a safe
and pleasurable retreat for those who are buffeted about on the stormy
sea of life. For these reasons he writes in Judeo-German and not in any
other language with which he is conversant, and for these same reasons
he prefers to dwell with the downtrodden and the submerged.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account