The History of Yiddish Literature in the Nineteenth CenturyWiener, Leo
History
The History of Yiddish Literature in the Nineteenth Century
Wiener, Leo
Yiddish literature -- History and criticism
To these people he devotes his best energies, and he uses the same care
in filing and finishing his works that he would use if he were writing
for a public trained in the best thoughts of the world and used to the
highest type of literature. His first prose work, though not the first
to be printed, was a small volume entitled 'Well-known Pictures,'
containing three stories: 'The Messenger,' 'What Is a Soul?' and 'The
Crazy Beggar-Student.' In the first he tells of the last errand of an
aged messenger who through cold and rain and snow is making his way on
foot to a distant village where he has to deliver an important document.
He trudges along in hunger and pain, but not a word of complaint escapes
his lips. Through his head pass old recollections of the time when his
wife was still alive, when his children were all gathered about him.
They have left him, but he is sure they are getting on well in their new
homes, for, he consoles himself, bad news travels fast. His strength
gives out, and he seats himself on a heap of snow to take a rest. He
begins to dream of the not distant inn where the wife of the innkeeper
will prepare a warm broth for him. He already sees himself seated at the
table when strange persons enter the room. He soon recognizes them as
his sons, and they embrace him and kiss him impetuously. In vain he
begs them to desist from their choking embraces, for he is old and
feeble. He begs them to be careful with him, for he has been intrusted
with a sum of money that must be brought to its place of destination....
The old messenger was found dead, his hand upon his coat pocket in which
he carried the intrusted document.
The second sketch is of a more cheerful character. It tells of the many
troubles and doubts that a certain boy has ere he discovers what a soul
really is. When very young his father dies, and they tell him that his
soul has flown to heaven. Ever after he imagines the soul to be a bird.
But he is ridiculed for that belief by his teacher's monitor. The
teacher himself is accustomed to maltreat the boys and whip them
mercilessly. He explains to them that the punishment of the body is good
for the soul. What, then, is the soul? the young boy asks himself again.
Then the teacher tells the children many fairy tales about the prenatal
life of the soul, when the angel of life instructs it daily in the
wisdom of the Bible and the Talmud. And that belief is soon taken from
him by his instructor of penmanship, who has a turn to liberal ideas. So
the boy keeps on wavering from belief to doubt and back again until the
age of seventeen or eighteen, when he is studying the Talmud with a new
teacher. Once, in his absence, it occurs to him to get the opinion of
Gütele, his beautiful daughter, who is known by the name of the wise
Gütele, on the question which has been puzzling him so long, and for
which he has suffered so often in his life. With trembling he asks her:
Public-domain text, read in full here on John Shaqi.
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