The History of Yiddish Literature in the Nineteenth CenturyWiener, Leo
History
The History of Yiddish Literature in the Nineteenth Century
Wiener, Leo
Yiddish literature -- History and criticism
There can be no doubt that the Jews were the most potent factors in the
dissemination of folk-literature in the Middle Ages.[23] Various causes
united to make them the natural carriers of folklore from the East to
the West, and from the West back again to the East. They never became so
completely localized as to break away from the community of their
brethren in distant lands, and to develop distinct national
characteristics. The Jews of Spain stood in direct relations with the
Khazars of Russia, and it was a Jew whom Charlemagne sent as ambassador
to Bagdad. The Jewish merchant did not limit his sphere of action by
geographical lines of demarkation, and the Jewish scholar was as much at
home in Italy and Germany as he was in Russia or Egypt. Again and again,
in reading the biographies of Jewish worthies, we are confronted with
men who have had their temporary homes in three continents. In fact, the
stay-at-homes were the exception rather than the rule in the Middle
Ages. In this manner not only a lively intercourse was kept up among the
Jews of the diaspora, but they unwittingly became also the mediators of
the intellectual life of the most remote lands: they not only enriched
the literatures of the various nations by new kinds of compositions, but
also brought with them the substratum of that intellectual life which
finds its expression in the creations of the popular literature.
The Jews have always possessed an innate love for story telling which
was only sharpened by their travels. The religious and semi-religious
stories were far from sufficient to satisfy their curiosity, and in
spite of the discussions by the Rabbis of the permissibility of reading
foreign books of adventure, they proceeded to create and multiply an
apocryphal and profane folk-literature which baffles the investigator
with its variety. Most addicted to these stories were the women, who
received but little learning in the language of their religious lore,
and who knew just enough of their Hebrew characters to read in the
vernacular books specially prepared for them. Times changed, and the
education of the men varied with the progress of the Hebrew and the
native literatures; but the times hardly made an impression on the
female sex. The same minimum of ethical instruction was given them in
the eighteenth century that they had received in the fourteenth, and
they were left to shift for themselves in the selection of their profane
reading matter. The men who condescended to write stories for them had
no special interest to direct the taste of their public, and preferred
to supply the demand rather than create it; nor did the publishers have
any more urgent reason why they should trouble themselves about the
production of new works as long as the old ones satisfied the women.
Consequently, although now and then a 'new' story book saw daylight, the
old ones were just as eagerly received by the feminine readers. And thus
Public-domain text, read in full here on John Shaqi.
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