The History of Yiddish Literature in the Nineteenth CenturyWiener, Leo
History
The History of Yiddish Literature in the Nineteenth Century
Wiener, Leo
Yiddish literature -- History and criticism
The Jews have been preëminently inhabitants of towns; their very
admission into Poland was based on the supposition that they would be
instrumental in creating towns and cities, from which the agricultural
Slavs kept aloof. Centuries of city life have incapacitated them for any
other occupation than commerce and artisanship, and have entirely
estranged them from nature. On the other hand, their civil disabilities
and oppression have led them to cling more closely to the Bible and
their religious lore than was customary among their coreligionists in
other lands. It was in these Slavic countries that the Talmud was
rediscovered and that it was introduced to the rest of Judaism. All
these circumstances developed in them a strong retrospective spirit, so
that in the centre of their intellectual horizon stands man in all his
varying moods and vicissitudes of fortune. Consequently all their
folksongs[38] have more or less of a lyrical tinge, and the
consideration of nature is almost entirely absent from them;
occasionally a flower, a natural phenomenon, finds a passing mention in
them, but these are never used for their own intrinsic interest. Outside
of himself, the Jew knows only his duties to God and his duties to man,
as flowing from his duties to God. Not feeling himself as a constituent
part of a nation, having no other union with his fellow-men except that
of religion, he could never rise to the appreciation and formation of an
epic poem, although the material for such a one was present in the very
popular legend of the one-day king, Saul Wahl.[39]
The cradle songs reflect this spirit.[40] While babies of Gentiles hear
meaningless nursery rhymes or comical ditties, Jewish infants are early
made acquainted with the serious aspects of life. They are told of the
ideal of their future occupation, which is commerce, they are spurred on
to 'Tōre,' which is learning, mainly religious, and they are reminded
that they must remain an 'ehrlicher,' _i.e._ an orthodox, Jew. The
following poem is, probably, the most popular song in Judeo-German, as
it is sung from Galicia to Siberia, and from the Baltic provinces to
Roumania:
Hinter Jankeles Wiegele
Stēht a klār-weiss Ziegele:
Ziegele is' gefāhren handlen
Rožinkelach mit Mandlen.
Rožinkelach mit Mandlen
Sanen die beste S-chōre,--
Jankele wet lernen Tōre,
Tōre wet er lernen,
Briewelach wet er schreiben,
Un' an ehrlicher Jüd'
Wet er af tomid verbleiben.
Behind Jacob's cradle there stands a clear white goat: the goat has
gone a-bartering raisins and almonds. Raisins and almonds are the
best wares,--Jacob will study the Law, the Law he will study,
letters he will write, and an honest Jew he will forever remain.
Public-domain text, read in full here on John Shaqi.
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